#it's so good to see great in his main role
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Felt like y'all should hear about all the amazing people putting this project together, and coincidentally be introduced to our colorful cast of main characters, so... here's a list!!
@fandomcompass
Compass is a good friend of mine, and has been a great help in getting this project off the ground, and even conceptualized in the first place. Compass is also the v/a for the nerdy Nye DeSilva. Nye is the Caelum's doctor and/or mad scientist (take your pick), and spends most of his days trying to avoid the schemes of two of his crewmates, one of those being played by...
2. @eruditannn
Laura, or as some of you might better know her, the v/a for Eva Sinanger in Witherburn After School News, was one of the main creative influences in forming the rudimentary plot for tcwlgs. She plays the role of the sassy southern Mavis Sampson. Mavis is the Caelum's engineer, resident punk, and partner in crime to our next character, who is played by...
3. me ( @kyathedino )
Yes, yes, you all already know and love me from my posts on this account, but some additional info: My name is Kya, I'm the primary writer for tcwlgs, I run this blog, and I (fittingly) fill the role of the Caelum's comms officer, the chaotic Cassiopeia St. James. Cassiopeia St. James is a force of nature, and she fights to put humor into her day to day life, even when her efforts are sometimes thwarted by our final main character, who is played by...
4. @lukas-broken-bow
Keely is the other writer for this project, and has been an invaluable resource to bounce ideas off of in these last few months, while I was finishing up the scripts. They're incredibly smart, logical, and kind, so it would only make sense that they voice a character with those same traits; the Caelum's Captain. The Captain is dryly funny, extremely competent, and operates with one main goal: keep their crew out of trouble, if at all possible (and they're beginning to think it might not be). At the end of every day, as custom, they record a log to submit to Nautilus, the company that all characters mentioned work for.
...and that is how we get The Cogwork Logs!!
Everyone on this list has been amazing to work with, and none of us can wait to see what y'all think of the product that comes out of our efforts. See y'all on March 30th for the first episode!!
#the cogwork logs#fiction podcast#tcwlgs#tclwg#podcast#scifi#scifi podcast#mavis sampson tcwlgs#cassiopeia st james tcwlgs#captain tcwlgs#nye desilva tcwlgs#cast list
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I know that it's a fairly popular opinion that the reason that Ian badmouths Mickey in s6-7 is mostly because the writers wanted us to dislike Mickey and be glad that he was supposed to be permanently gone from the show. However, while I do think this is partially true, I also think that it is veryyyy much in character that Ian says those things and that even if the writers fully planned on having Mickey back in those later seasons, he still would have said what he said.
It basically comes down to the main difference between the Gallaghers and the Milkovichs. The Gallaghers want to escape the southside (at least Fiona down to Liam do), while the Milkovich have claimed it as a part of their identity. They embrace it and are proud to show it off, including Mickey, and even Mandy believes that she will never do any better in life. Because of this, the Gallaghers, who are cocky, look down on the Milkovichs for not wanting to get out of the Southside and see them as more white trash than they are. Ian goes into his relationship with Mickey with this ideology. He's young and wants a boyfriend, and Mickey is hot and gay, so why not?
The problem comes when Ian gets diagnosed. You can see it in 5x10 when Ian calls Mickey the "shit-talking, bitch-slapping piece of Southside trash I fell for" and during that one deleted scene of Ian's dream where he and Mickey are dressed in white and holding Yevgeny. Ian doesn't want to stay in the Southside forever and his dream involves a 'perfect' Mickey, one that wants to hold Yevgeny and have a house together and doesn't cut the sleeves off of his shirts. Mickey didn't initially believe that Ian was bipolar and ignored Fiona and Lip's advice to take him to a hospital to get seen, he's white trash that is happy to scam people with his brothers for the rest of his life. Ian doesn't want that, he wants to have a successful career, live in the suburbs, and grow tomatoes.
After breaking up with Mickey, he's convinced that Mickey would not help with his recovery and mental health. Fiona and Lip certainly think that, plus how is he going to get a good job and recover if his boyfriend is literally in prison and could easily go back?
The problem with that is that Ian is in love with Mickey. Mickey isn't just a shit-talking, bitch-slapping piece of Southside trash, he's the shit-talking, bitch-slapping piece of Southside trash that Ian fell for. Not only that, but the deleted scene of the dream reveals that he genuinely believes in a future with Mickey, and recognises that Mickey is a gentle, loving person, who would make a great dad despite his shitty role model.
These two conflicting ideas are constantly clashing in Ian's head, 'Mickey is bad for me' 'But I love him' 'I don't think I can be where I want to be in life with him' 'I don't want to be without him'. And so, in order to reassure himself, partially through getting other people to agree with him, Ian badmouths Mickey, bringing up the worst of their relationship to convince himself that Caleb and then Trevor is right for him, and a sign that Ian is going to stop being white trash and get out of the Southside, while Mickey would only make him stay.
It's only when Ian realises in s9 that the only person that has made sure that Ian is stuck in the Southside is Ian himself, that he goes, fuck it, I love Mickey and he is a good partner for me.
wow this got super long sorry about that- if u did manage to read this all the way through i'd love to hear your thoughts on whether ian being rude about mickey was in character or not!!
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How’s your shoulder? It's getting better. Your medicine must be effective, I guess. Can I check?
Wandee Goodday (2024) Episode One | Dir. Golf Tanwarin Sukkhapisit
#wandee goodday#wandee goodday the series#wandeegooddayedit#*gifs#april.gif#yakdee#greatinn#great sapol#inn sarin#finally it's here!!#i am late but i need a footprint of this show on my blog#it's so good to see great in his main role#and i love the characters set up on this first episode#my saturdays will be lively again :')
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I can't stop thinking about the post from a few days ago about how Critical Role has been great at doing personal faith but didn't put the necessary work in to discuss the religious/god angle of c3 in-depth. Like the fact that Cardinal Respa was linked to both the Dawnfather and the Chained Oblivion is, on a personal level, very interesting (fallen/corrupted priest goes hard) but like does that mean that there's a Papacy somewhere in Exandria dedicated to the Dawnfather? If so, are there more cardinals who ordain the bishops of the Dawnfather? Are there Conclave-level intrigues going on in the Dawnfather's Sistine Chapel? Why is the Dawnfather so Christianity-coded in vibes alone if there's no actual outline of his religious organisations? With Downfall the Dawnchild/Dawnfather thing makes the allusions to Christ as Son of God co-existing with the Father textual - was there a Dawnfather Schism around whether the Dawnchild was a separate mortal? Was there a Reformation about how the Dawnfather's Pope kept selling indulgences? Is that why the priest of the Dawnfather Grog & Pike offer a drink to doesn't partake because of a cultural shift between Protestant-Temperance-League-coded and Catholic-coded Dawnfather congregations? Why do I have so many questions about the religious organisation of one of the most important Prime Deities in Exandria and to Critical Role's 3 campaigns? How on earth were the cast (and us as the viewers!) meant to care about the gods if all they had were "really tall kings" instead of interrogating how religious organisations provide both a place of healing and community to a wide range of people and also a place of horrific harm and abuse for a wide range of people?
#cr meta#cr discourse#critical role#it's just. maddening#i mean a college of cardinals who can all shoot god a quick dm and ask who's the best for pope is an absolutely hilarious image#makes for a great comedic setpiece tbh#but like seriously matt if your whole multi-campaign story needs people to have strong feelings about the gods beyond how they personally#affected them (keyleth vex and ashton come to mind as people who were negatively affected by certain gods due to personal reasons)#it might be a good idea to develop the religious organisations of these gods! let people see how these things work out instead of letting a#vibes-based approach to christianity rule the whole discussion! kord's whole deal about strong people is fascinating! are his priests all#body builders? do they have a central hierarchy based on strength? we don't know!#are the wildmother's clergy pro- or anti-alcohol? does she even have a clergy?#or are all the religious temples we have seen just set dressing because religious buildings in the real world just have cool designs?#is it because in fantasy the trope is that most protagonists don't care about religion and their temples are literally there for vibes?#i'm aware i'm getting way too close to stan-parasociality on that last point but if we have a cardinal “do we have a pope” is a logical#follow-up question. i'm aware there's not that much info in the campaign guides so that gms can do their own thing but in the#“the gods deserve to be eaten because they were mean to me” campaign surely a more interesting line would be “do the gods deserve us if#their organisations cause systemic harm as was done to bor'dor and........"#can you tell i don't want to do any actual work today. i sure can't#and yes i'm main-tagging this if people are hostile to me on the internet for this buddy there's a phenomenal button i'd like you to meet
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Saw a post abt the Sonic movies that was like "plz filter negativity posts better" which is GOOD AND TRUE you should be doing that. Ok. But then they kept going to imply that the criticisms of the Sonic movies are all entirely Personal and Ignorable and not like. Usually abt the horrific copaganda, misogynistic writing, and Paramount's disgusting zionism.... Guys a lot of ppls problem w the Knuckles show wasn't JUST a bastardization of Knuckles' character or thinking Wade was annoying or whatever, but like was focused on the grotesque Zionist message from that one episode 😭😭😭 you can enjoy something and still recognize that it has intrinsic and huge glaring flaws and talk abt them. I think actually you Should be speaking up abt the misogyny, zionism and propaganda the SCU supports and discusses, ESPECIALLY if you like the movies! Its important to be able to recognize these things in media and admit that even media you personally enjoy can be deeply problematic, instead of hiding it away and pretending those HUGE FLAWS aren't issues actually....
#scu neg#sonic movie negative#do you guys even have a specific single tag? genuine question#scu negative#like bro you just had to say 'plz tag negativity posts better :(' you didnt have to go on a tangent abt how sonic wachowski is a perfect#little angel ...#and writing off criticism abt the movie as 'personal issues' is also just. Mean. undermining ppls genuine investment in the characters#shadow means a lot to me. his storyline js extremely powerful. ofc im disappointed they fucked it up. thats personal but it has real world#consequence. taking a character whos entire plotline is driven by an anti-militant message and who is a genuine and powerful representative#of PTSD in media and making him. Whatever He Is Now is Bad Actually. even if you think thats just a personal take it still has Real Effects#and i dont expect the scu to be a masterpiece of art. i take sonic seriously but i understand that im maybe an Exception and also that#perceptions of characters change between literally Everyone. but i think its still fine to say that i dont trust the writers to tell the#story they want to tell. they very clearly Dont understand what made adventure-era sonic so powerful in the first place and thats a valid#take even if it is 'just a personal opinion'#ok sorry for getting heated. as a board-certified PTSD haver shadow the hedgehog is important to me its like i imprinted on him as a child#like. i dont think its a stretch to assume that theyre probably going to make shadow Dull and Lame compared to his old storylines. gerald i#already so fucked up that i honestly have lost all hope this movie will have good writing. and i can Expect good writing becuz this project#is from a huge corporation that can Afford good talent and Chose to do their movies this way instead#and they were like 'you guys cant b mad that the character you like didnt show up!' when the criticism for THAT is that the scu is doing#EVERYTHING in its power to AVOID adding new and substantial female roles to the cast. rouge not being there is a larger issue besides just#Missing Her. we have 3 reoccurring women/girl characters. out of a cast of roughly 13 main characters. cant you see how disgusting that is.#i think its 13 anyway hang on. im counting wade tom sonic tails knuckles shadow eggman gerald those two gun guys. yeah#'but theyre adding another woman character!' yeah.... and shes another military official..... when we coulda had Rouge the Bat???#thats not the win you think it is.........#ig theres sonics owl mom too genuinely forgot abt her tbh#she exists only to b a mom and die tho so she isnt rlly That Great as a woman character either#and maddie exists only to b Sonics Mom and rachel only exists to be the Funny Aunt and jojo only exists to be The Girl Cousin so......#SORRY ESSAY SORRY i feel very passionately abt sonic!!!! especially in this case!!!!!!!#ok well ig maria is there too but shes also just. Uhm. Ok. Look. i love maria robotnik. but she is a Plot Device not a character. sorry#wades family dont count either becuz. well. they suck NO NO NO JUST KIDDING
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[walking around, peering into people's faces like i'm in an art exhibit] hm. nice
#just me hi#it's a give and take system and baby WHY am i standing in for the free samples cart#[dies dies]#<- irrelevant to the main body but oh man. oh mannngngnghfjs#//nice thing anyway; we're going to the beach :D#it's been like a year or so since we've been so yippee :DD#i like going to the center of the lake and waiting for the boats to make big waves lol#sure it makes it harder to get back to shore but in the meantime i get to go wheeee hfbhs#that and if you swim out far enough nobody will bother to swim to you. untouchable gfbsh#just water and water and water and oh hello dragonfly and water and that kid just fell headfirst into the shallow water and water and#:>>#//in other news too: i am like.. one 5th done with the third ref lol👍👍#it IS a bog. but at least it's a nicer bog ykno hfsh ?#//how funny would it be if they found atlantis at the bottom of like. a random lake#you know how underwater caverns are! but it would be neat hbfhv :3#i don't mean any of the great lakes either; it's completely sensical that you'd lose a city in there. why would you leave it on the coast#dummy?? the water Will eat everything#unlike the earth; which only gets aggressive cravings now and then. and that's only cuz she's doing all this moving. she's earned it hfbsh#/also question. if our planet ate another planet would anybody here have a problem with that [wide gesturing towards you]#because you would have to assume it's natural. How and Why Else would a planet be eating another planet ?? plus. what if the chances are#high that it fixes all our problems lol. 'why are you asking this' see that's a good question. and every now and then there are questions w#leave to people of a more scientific or philosophical turn of mind. not me. i'm the 'do you support mother earth eating other planets whole#questions guy :) an important role in some states of being lol#//anywho i gotta get on my things. you know. the things? and the stuffs. lotta those going on. lots of things. and stuffs :)#and i don't wanna count my tags again lol - i think i'm in the mid-twenties but let's not be too sure about that hfhvhsh#so ciao toodles. i will most likely be back with some family-answers to the planet-eating question#byyyye :3
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everyone...watch love next door....
#only 2 eps out for now but it literally got me out of my kdrama slump its That good...#sooo many kdramas don't do the childhood friends to lovers trope justice but i have such high hopes for lnd its soooooo good so far#its funny...the main couples r alr clearly separated from ep1 so no fuckass love triangles...the female leads have a great friendship#and such good chemistry if u told me they're bestie irl id believe u..i looooveeeee the bickerisms btwn the leads they're perfect#also haein fits the yearner role so well???? his gaze is soooo pine n yearn...#also im so happy jion finally has a big role in a good show.....fuck my lovely liar that shit was ass finally retribution for my guy of all#time#like he's just a kind hearted nerd in this and he looks good doing it<3 so excited to see how his & moeum's story evolves#also the moeun seokryu seunghyo trio friendship is so fun as well i loved their scenes in ep 2#ALSO. accurate sibling dynamics save me‼️#don't watch it if u quit ur job and moved back home w ur parents recently tho lmao ep2 emotionally devasted me i did cry quite a bit#like why r u in my house suddenly.#anw. watch it!!!!#anna.txt
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to weave my love ⭒ n. riki
![Tumblr media](https://64.media.tumblr.com/92ef83aae5aadf3cf5b2cfb3bde91d0c/5755f1144081589a-8c/s540x810/1af687972630f95ac445e9f52b7d8c95ab747db6.jpg)
⭒ SYNOPSIS -› Riki is good at many things- dancing, making fun of his friends, playing it cool (debatable.), Hell- he’s even good at saving people from falling buildings without getting whiplash. But the things he’s bad at? Well, it’s asking you out to prom, and trying to balance the shared assignment he has with you…while being Spider-man.
⭒ PAIR -› spiderman!nishimura riki x fem-pres!reader
⭒ GENRE -› fluff, banter, action ⭒ TROPES -› classmates to lovers, idiots to lovers ⭒ WC -› 17k (i’m sorry idk why either.)
⭒ INCLUDES -› SPOILERS FOR GREAT GATSBY, cursing, non-graphic injuries (reader discretion advised), yes i made the patching up with first aid kit trope SUE ME!! takes place in a busy city similar to new york never specified, reader is rich, jake and heeseung are seniors and riki’s a junior, is riki stupid? yes… jake reveals stuff because he is also a little silly, reader wears a red dress!
⭒ GREAT GATSBY -› basically jay gatsby has this weird amt of money but no one rlly knows how he got it (nefarious reasons) and hes been in love with this girl daisy for five years but then she got married to tom buchanan but he gets rich so he can get the house across from her and wistfully watch her and he pines after her like CRAZY but he dies at the end
⭒ REN SAYS...special huge fat kiss to thena @sensitively-taken you will be in the will when im a millionaire THANK YOU for helping me with so much of this I WUV U AND I WLL BE WAITING FOR UR HUENING FIC!!! | LIBRARY
NISHIMURA RIKI MIGHT DIE FROM PRE-ADULTHOOD STRESS, IF THAT’S EVEN A THING.
What exactly does Riki have to worry about as a seventeen-year-old junior in high school? Right now, his most daunting responsibility is catching up on the chapters of The Great Gatsby because the only thing Riki’s actually read from the novel is that the main character shares a name with his best friend and senior, Park Jay. His second most daunting responsibility is handling the fact that with the new seating chart in his Literature class, it means he’s sitting next to the object of his very subtle affections, you.
See, the problem with having a crush on you is that Nishimura Riki’s committed to thinking that you’re way out of his league, and unfortunately, the boy believes that almost too well. Not only are you minted beyond his wildest dreams (having seen your posts on social media), but you’re hardworking, helpful, and dedicated to your role as student body treasurer. He’s already understood that you’d never go for a guy like him. Maybe someone more like Park Sunghoon, whose parents’ salary matches yours. If Riki lived in a rural estate with generational wealth, handling the whole ‘Spider-Man’ thing might be a bit easier for him, considering he wouldn’t have to try so hard in school. It might even change the fact that Riki dealt with some alleyway criminals last night and is currently catching up on lost sleep, as your English Literature teacher goes on and on about a project on the book you’re reading.
In class, and even sometimes outside of the classroom, your small tendency to not pay attention to your surroundings has landed you in some awkward situations—like now.
“I don’t really tell anyone this, but I hate Daisy.” And instead of getting a response, you glance over to see Nishimura Riki slumped on the desk. Without trying to make preconceptions about what could land him in a situation like this, you poke his arm, stifling a smile at how his eyes widen when you’ve caught him rubbing the very obvious sleep from his eye.
“Sorry,” he whispers, still fighting the post-nap grogginess, “Did I miss anything?”
(Nope.)
Shaking your head, you return your attention to your teacher as he continues to answer questions. The second Mr. Yoo assigned a report, you wanted to die even more considering the work you had to do on top of the impending due dates. But for it to be partnered? And for you to get seated and paired with the one boy who's known for not caring about school? Maybe things are a little stacked against you, but there has to be a reason why Riki’s somehow still passing all his classes…right?
Considering it’s the last assignment about the book, you’re glad that you already read it so many times to know what you want to put into words. And in retrospect, answering a few open-ended questions about it can’t be that hard—the hardest part would be getting your partner to stay awake in class.
A small tap at your side makes you turn to face Riki, who you see has frantically written a page full of notes about the project in the past three minutes and how he can succeed. “Can you go over the first part? Sorry…I was…y’know.”
“It’s a partner project. And we’re partners.” You wince at the awkward wording.
Great! Riki was caught sleeping and that was your first impression of him for your paired assignment? Riki feels so stupid in front of you right now—in front of your meticulous notes with annotations and proper highlighting. He wants to curl up into a ball when he sees you glance over at his haphazard attempt to look like he was paying attention when, in truth, he was trying to remember the dream he had just ten minutes prior. When you offer him a small smile and nod, leaning over with your notebook in hand, he sighs in relief, thanking whoever it was that let him get away with his naps without the consequence of irritating you afterwards.
The bell rings when Mr. Yoo stops talking, and you pause, startled by the sound. Instead of leaving, however, you pack your bag and shuffle to his side of his desk, continuing to parrot details about your report in hopes that it all makes sense. You need to make sure he knows what he’s doing.
“I think one of the questions he mentioned was like ‘Is Gatsby a good person?’ and do you remember how in Chapter Eight…” The rest gets zoned out and forgotten in the boy’s head, because he in fact does not know what happened in Chapter Eight. He doesn’t know what happened…in any part of the book. But he agrees anyway, pretending like he understands what scene you’re trying to explain. What he notices is how thorough and dedicated you are towards ensuring he comprehends what you’re explaining, and although it could be because you don’t want him to fail you both, he chooses to believe you’re doing it because you tolerate him.
You’re so engrossed in covering all the little details and telling him random tidbits regarding the book that you don’t realize your feet have made it all the way to the cafeteria. “But here, let me get your number. I’ll totally explain more over text.”
Riki is definitely not freaking out when he silently grabs his phone and hands it to you with the contact page, staring a little longer than necessary at the cute smiley face you added to your name. “Thanks,” he mumbles, forcibly tearing his eyes away from the ten digits of your number, “For helping me with this, too.”
“Of course! The Great Gatsby is a fun read for me. A little hard to read sometimes because of some of the characters, but still easy to understand.” And Nishimura RIki realizes that he has to do well. He’ll read the book five times over if it means gaining your approval.
Jake notices something a little different about the tuft of black and blonde hair when his friend walks in. The first thing is that he’s actually here, and that you’re next to him, smiling. The boy rubs his eye to make sure he’s not dreaming somehow, but when he looks up again, you’re waving goodbye and joining your friends across the room.
“Did you get hit with something while fighting a villain that makes you more bold? I feel like I just saw you and ____ talking,” Jake starts when Riki finally joins him with his lunch.
Riki laughs, shoving Jake’s head out of embarrassment and opening his chips. “It’s just school. Got some project in English and she says we’re partnered.” He looks over at his friend chuckling, rolling his eyes at how Jake pokes at his side and wiggles his eyebrows.
“I better hear you two are dating by next week.”
“Who’s dating by next week?” Heeseung places his bag of food in front of them and takes a seat, opening the fast food he got last period and stuffing a fry in his mouth.
“Riki and ____. Let me have one,” Jake answers, reaching inside the bag.
Heeseung looks over at his junior curiously. “You asked her out?” And the two older students hear a groan from the boy in question.
“Me and ____ aren’t anything, for your information.” He prods at the vegetables on his tray and takes a bite before a look of displeasure washes over his face. “You’re both way too excited for two guys who do not have girlfriends.”
“Hey! You know the girl I’m always fighting with is the reason why I’m single. I have to focus on studying to do well in school to do better than her.” Heeseung’s whining falls on deaf ears as Riki smiles victoriously, seeing how defensive the former got.
Jake offers him a shrug of defeat. “I got nothing.”
The three of them fall into normal conversation and Riki finally explains everything that happened during English. “So you’re telling me your plan to ask ____ out went down from 18 months to 6?” And with a nod from the younger, they both groan once more. Heeseung exclaims, “We’re both going to graduate, dumbass. Make the plan go down to like…two months? Please?”
Jake cuts in before Riki has a chance to respond. “Make it one and a half, so we can see you with a prom date before leaving forever.”
“You act as if you’re going to die after graduation. It’s like you’re begging to be a super senior.”
And they’re silenced immediately.
“Do you think the guy I was with earlier hates me?” you ask on the other side of the room. Minjeong stares at you blankly, waiting for your explanation. “I don’t know if you saw when I walked in but I was talking to this really tall guy with blonde hair and black tips. He seemed really out of it, like he kept staring at me and nodding. I think I scared him off by talking about the book too much.”
Sunghoon, who is also listening in, opens his neatly packed lunchbox and begins mixing his noodles. “I think you did scare him off, ____.”
“Not helping,” Minjeong interjects, “Just talk to him more and maybe he’ll warm up to you. You two sit together in class anyways, so hopefully he’ll talk more?”
“I know him,” Sunghoon comments, “Well, sort of. I’m friends with Jake who’s friends with Riki, and it seems like all that boy does is sleep.”
“Maybe he’s really good at subconscious in-class comprehension?” you try, taking a bite of your sandwich. “I just hope it doesn’t interfere too much with treasurer stuff.”
NISHIMURA RIKI MIGHT DIE IF HE SWINGS INTO ANOTHER WALL AT 100MPH LIKE HOW HE ALMOST DID TONIGHT.
All he’s had on his mind since school ended till now is how he should probably text you, if he really discarded the slimy acid monster from last week properly, and when the prom theme is going to be released, but there’s something amiss that confuses his spidey-senses and makes Riki much more alert.
He snaps out of whatever train of thought he had before, focusing on the situation at hand and looking around to follow his instinct. Riki cautiously plants himself on the side of a random apartment building to get a sense of what's going on. A tingle of some sort of in the air permeates the material of his suit and leaves him shivering from the cold.
He doesn't like it one bit.
Moving to the side of the building to the top, the boy finally catches a glimpse of something when he gets a decent view of the city and highway systems. Riki knows something’s wrong with the bridge the closer he gets. He zips from one side of the tall, metal tower to the other, crawling down on all fours making sure he isn’t caught. He feels the electric feeling once more, only amplified. It runs up his spine and he wants to slap it, almost like a frantic, summertime bug. The air around him is charged with something he has never recognized before. With a puzzled expression under his mask, Riki continues to investigate the surrounding area.
Riki finds a lone figure with some sort of attachment to his left arm, like a long glove made out of metal. The bulkiness of it seems to have no impact on his body as the man fiddles with the contraption, and the boy watches with bated breath as the machine fizzes and spurts with electricity. It begins to glow as power concentrates on his plated palm and the superhero sees it for the first time. It’s like a fizz, like a match striking at fire only to produce a quick burst of friction, but it almost feels liquid when he watches the person play with the flickering blue ball of electricity. It dances in the dark in a hauntingly beautiful way, with bolts jutting out from the metal as it spurts and buzzes with a life-like manner.
A spark.
“Hey, what the hell do you think you’re doing?” The sound of Riki’s voice from the end of the bridge causes the stranger to look up with wide eyes. Although Riki fully expects it to simply enhance strength or block damage, the immediate strike of blue that flies straight towards him is anything but defensive. With a yelp, he jumps away, this time refusing to show himself.
What the hell was that?
He knows he should go back down there to change things and get the person and the metal pieces away before it escalates, but when he goes back down to watch, it's ten times worse. The bright blue illuminates the scarred face of the villain as he’s picked up the metal arm–but this time, it’s no longer clunky and sparking, but fused into his arm.
Riki’s face pales at the sudden change before his body acts on its own and he shoots out a web to stop the man.
The villain is shocked by the intrusion, but quickly yanks free from the webbing and flicks another bolt of electricity, one that flies much faster now that the metal flows into the arm instead of simply resting on the skin. It’s unlike something Riki has ever seen, something that is so controlled in motion and yet so erratic in nature, and it instills a deathly fear when it grazes his arm he hisses in pain. The sharp feeling springs Riki into action as he jumps away. He’s lucky another bolt isn’t sent his way, seeing how the villain’s too busy marveling at the power of his new gadget.
“You know that fucking hurts, right?” He yells out, cupping his wound. “Maybe leave the gadgets to the kids!”
The man scoffs. “It better have hurt. I sacrificed half my body for this to work.”
“But why?” All Riki wants is answers. Some sort of explanation.
The man charges up yet another bolt, almost like a laser gun is built into the machine. “Less talking, more running, Spiderman.”
That scared the shit out of him.
The boy doesn’t have time to think as he jumps out from the dark tunnel to the bridge and up the metal towers—he hates having to fight with people right below. The villain follows in pursuit, almost crumbling the metal with his engineered arm as he hoists himself quickly. Riki continues to jump between the structure to avoid the flashes, trying to get out and apprehend the man as quickly as possible. When he reaches the top, however, he feels death is near as he glances down at the villain below who’s quickly gaining on him. He shoots out webs to slow him temporarily, letting himself fall and swing from the side of the tower to escape.
What he doesn’t see on the way across the bridge is the flash that misses his cheek and hits his thigh instead. It burns, and mid-air, Riki gives the wound a quick assessment before he lands on the metal, immediately forcing his body to climb. While dealing with his wound, he fails to notice the villain swinging from the bridge support lines to meet him.
He needs to end this fast before he becomes burnt toast.
Riki doesn’t often rely on instinct to carry him, but he can tell that the villain he’s facing isn’t just a criminal.
“Land another hit, would you?” he tries to say, his voice strained from the pain in his arm and leg. It doesn’t do much to deter the man in front of him as the arm continues to destroy and bend the metal on the way up. “What are you going to do now, Sparky?”
The man says nothing, charging energy into his metal glove again before aiming and focusing on the target: him.
Riki jumps off, not able to properly land his web in the right spot as he goes from one section of the bridge to the other. The man behind him looks enraged at the boy’s attempt to escape—so much so that he reaches out with his normal hand to try to grasp the suit when Spider-Man swings past him. Instead of the feeling of fabric, the villain feels sticky spider fluid on his fingers. Riki shoots out a web, one that curls around the villain’s wrist and drags him off the tower. Instead of being able to launch him into the surrounding waters, the man slips from the poorly shot-out webs and falls from mid air into the sea of frantic cars, including one semi truck that collides directly with his arm. In the air, the boy winces when he hears honks and shouts from the impact, hoping it’s the last time he’ll have to witness it.
With his gaze trained on the falling figure, the weakly attached web breaks, and Riki all of a sudden starts falling down as well. He curls up defensively before bracing for impact, curling into himself when he feels the metal dent and the truck driver scream from outside of the parked vehicle, the body of the villain right in front of it.
Riki staggers, holding onto his arm and thigh the best he can before getting up. With wobbly steps and a small jump, he lands near the unconscious man, whose metal arm is cracked and fizzling—something that Riki knows is bound to leave more scars.
“Call the police. I’ll get rid of the pieces.” Although Riki wants to figure out who the criminal is and make sure he’s properly apprehended, the gashes in the boy's limbs leave him winded and exhausted. With hot metal scraps bound together by webbing in his hands, Riki swings out and dumps it somewhere rural, trying his best to cover the pieces with the pounding headache that
Riki revisits the secluded spot under the bridge, looking for clues to the man’s identity, and his expression falls when he notices a lanyard dangling near a trash can.
His name, his position, and the company. FLiGHT Corp. The company name caught the boy’s eye, and he pockets the item before leaving.
It seemed like he was a normal research scientist, but Riki’s recollection of the scars and tattered skin leaves him retracting his last thought. He heard something about the failure of a time travel machine at FLiGHT, and if the mass of the incident was anything to go by, he was in the center of it.
No matter how many times Riki tries to get it out of his head, on the way home, all he can think about is the inexperience he displayed and the lack of response he gave Riki during the whole time. But Riki can’t bring himself to really take away someone’s life—and maybe for that, he’s a horrible superhero.
He knows he should stop the man before it's too late, and especially with how many self-proclaimed villains there have been, it's not easy to see so many innocent people ruin their lives chasing a power that inevitably consumes them. He knows it’ll only get worse if he lets them run free.
And while the superhero has never been fully honest with himself, there are many times where Riki hates his role as Spider-Man, and wishes that he was just some teenage boy who didn't have the lives of others in his palm. He wishes he didn't have to sacrifice so much to stay behind a mask—and he wonders deep down if there’s anyone else who felt the same.
His swings lead him across the city above hundreds of lives he has to protect, and he tries to find some semblance of peace. He thinks about how he has his homework due despite having just risked his life, he thinks about how your project is going—and about you.
In the night under the stars, Nishimura Riki wishes for something just a bit normal. He wishes a good night for himself, but also for you, wherever you could be.
NISHIMURA RIKI MIGHT DIE FROM TRYING TO READ THIS BOOK IN ONE NIGHT.
The Great Gatsby is exactly like how you described it; a little hard to get through but fun with the plot’s eccentric characters. He’s pretty sure he could’ve just used a detailed SparkNotes explanation for the book, but having a crush can make someone do weird things. And in Nishimura Riki’s case, his infatuation has got him reading a novel about morally-skewed characters and rich society to impress you.
When you come into class barely on time, Riki gives you a confused look when you sit down, but doesn’t comment on it any further. Instead, he takes out his book and tries to act like his eyes weren’t closing shut from exhaustion by the time Daisy was finally confessing how she loved Gatsby.
The moment Mr. Yoo stops talking, however, Riki isn’t asleep—much to your surprise. He has his book out, pages filled with sticky notes and a whole section of his notebook dedicated to characters (written in bright red to keep him awake) and their traits.
“I got it.” It’s the first thing he says when you two are left to do in-class work. It’s ominous, and maybe a little too enthusiastic in a high school literature class for a boy who doesn’t even care that much for school, but you’ll accept it with open arms if it means you get a helping hand on your project.
“Continue,” you tell him slowly, leaning back in your chair to listen to him. And you don’t know why, but a small part of you thinks that the boy who sleeps every period the book was discussed wouldn’t have much to say or contribute to such an open-ended prompt, but life is full of surprises.
What you fail to notice is how Riki is nervous and his stomach does at least twenty flips before he swallows dryly and starts rambling in hopes to impress you and redeem himself from his embarrassing slumber a few days ago.
“So you know how our prompt is based on one character and basically all their actions?” he asks, and you nod, absentmindedly thumbing a sheet in your journal. “I’m thinking we should talk about Jay Gatsby because so much is revealed to us about him that we might as well use it to our advantage. Y’know, talking about how the theme of exploitation and secrets is veiled under Gatsby’s desire for Daisy.”
“You don’t think Gatsby’s a good character?” Riki wants to tell you that Gatsby is more relatable than good or bad, but he shakes his head.
“I mean, not really.” He feels like with those four words, he’s completely changed the trajectory of his relationship with you from a positive slope to completely downhill—and a wave of panic washes over him. “Should I? I mean, I could see him as more redeemable if you gave me examp-“
You wave your hand to quell his worries. “To be honest, I don’t like him either. But he’s an interesting main character to write about, so I think we should go with your idea.”
To win your approval feels like he’s won at least three fights against a villain in a row without getting any bad injuries—it feels good. And for the rest of the period, you are able to finish a detailed outline of your work for the next few weeks, mapping out sections for each other, and he even gets to see a part of prom planning on a word document you had open. He considers your shared productivity a win when he packs up and bids you goodbye before leaving for lunch.
One wave doesn’t catch Riki’s attention from across the room. Not even two, or three calls of his name could get Nishimura Riki out of his thoughts, and Jake frowns before moving up in the lunch line.
“Something’s caught your eye again.” Jake feigns innocence and sighs dramatically as he places the food down next to Riki’s plate. “Could it possibly be our school treasurer?” Jake laughs, leaning over to catch a glimpse of what’s got his friend so entranced and non-responsive.
Riki scrunches his nose, annoyed, but never breaking his gaze from where you’re sitting. “We talked in class–like, a lot,” is all he says, paying his friend no mind. “She’s genuinely so understanding.”
“God, I don’t think you can be any more down bad for her than you are right now.” Jake picks at his food, and despite his concentration directed towards the olives on his pizza, he’s able to dodge the flying loaded nacho that goes his way, even if he wasn’t the one with superpowers.
“Can you shut up?” Riki grumbles, laying his head on his arms as he notices you smile and point to something. “I just got pummeled into a semi truck last week. Let me have this before I die tomorrow.”
“Very grim,” his friend notes, ruffling the younger’s hair, “I think this is exactly what all of those mental health assemblies that we get are for.” And Riki basically tunes him out, too tired to fight and too used to the teasing remarks to come up with anything useful in response.
Riki sits up a bit, letting his head rest on his propped elbow as he looks at the school food and touches another nacho gingerly. “Y’know, I read the book for English so she wouldn’t think I’m an idiot.”
His friend snickers, successfully pulling out yet another sliced olive from the cheese, much to the disgust of Riki. “She probably already thinks you’re an idiot.”
The superhero debates throwing another cheesy nacho in Jake's face, before deciding to eat it instead. “Don’t say that asshole! You make it seem like I have no chance with her.”
Jake shoots him an exasperated look that makes Riki break eye contact. “That’s because you don’t.”
“I’ll prove to her that I’m worth her time.” Riki says somewhat wistfully, still stealing glances from a few tables away. “Maybe I’ll ask her out to prom, show up in my suit. Do that cheesy upside down kiss shit people say Spiderman does.” When his friend raises an eyebrow at him, Riki shrugs. “I will! Well-maybe not the Spider-Man thing, but prom definitely.”
Jake continues to look at him unconvinced as he takes a bite out of a slice of pizza with mangled cheese. “You barely talk to her in class and you think you can ask her out to prom as Nishimura Riki?” And the younger grins, eyes still stuck on how your eyes crinkle and how your shoulders shake with laughter.
“Yup.” And his fate is sealed, just like that.
“What’s your project about, anyways? Didn’t you tell me last night that she gave you her number? Must be pretty serious if she wants to text you.” Riki furrows his eyebrows and shakes his head.
“It’s just tying the theme of the book to one character and writing about how they show it. So we did the theme of money and Gatsby, because it’s easy and mentioned so many times.”
Jake gawks. “You must really like her,”
“I was planning to read it regardless of who I was partnered with.”
“Okay- that’s debatable.” There goes another one of Riki’s nachos.
“Gross.”
He thinks things are going pretty well for you two. The report is being written and your quotes are basically finding themselves, so Riki should give himself a pat on the back for pitching the initial idea for how to go about your assignment. Maybe reading the whole book offered him a few useful pointers, and he goes to sleep that night satisfied with your progress. Maybe Heeseung and Jake were right—maybe he could finally ask you out by prom.
NISHIMURA RIKI MIGHT DIE TRYING TO SAVE THE CITY FROM YET ANOTHER MONSTER TERRORIZING THE STREETS.
He wakes up the next morning, not expecting his alarm to alert his senses to danger. It rings in his head and makes him feel delirious, trying to shake sleep off as he looks out the window for any visible sign of what's wrong. If he could hear the danger in his head then that meant someone could be hurt, and he could go to school without a few hours of sleep if he worked fast enough, right?
Riki slips into his suit without much thought and goes to crack his window open, only to look back at his clock and read the horrific time of 6:23AM.
Who the hell picks a fight with a teenager at this ungodly time?
Then, he shoots from his wrists, once, twice, and suddenly, he's off, covering more ground through the air in just three seconds than he ever could while walking or running for minutes on end.
The source of his tingling spidey-sense is some large metal centipede creature that was setting off car alarms in a neighborhood near the market. Thankfully, no one was really awake to be caught in the crossfire, but he has to figure out how the hell he's going to catch that thing in...he checks his watch…twenty minutes?
Hopefully, his instinct will help him win this time—again.
The web he shoots out does nothing to stop the monster, and considering how it connected them both, the threads only drag the superhero to the edge of the building he was initially watching from. With some yelling and pulling, he finally detaches, and realizes that the odd sizzling feeling in his bonds must be from the same source as a few days ago; Spark.
He had this gut feeling that a villain as strong as him wouldn’t have been destroyed so easily, but his wounds were so deep and the blood loss so bad from a few nights ago that he couldn’t have truly dumped him in the ocean without fainting or suffering something permanent, and although Riki hoped things in the universe would work itself out, the presence of the giant fifty foot insect alone is proof that things were not in his favor.
He jumps off the building onto another, working quickly as he strings up a few webs between the houses as a wall for the monster, watching it slide and knock over cars in its wild pursuit. The monster spends a few seconds breaking down the wall of webbing and climbing over it, the many legs easily breaking through. As the superhero jumps across buildings and keeps track of the centipede’s movement, he has no idea why it isn’t going for him, and that makes his job much harder without the attention of the monster. One glance at the direction the centipede is headed in sets off another ding in Riki’s head—but this time, it finally clicks why the centipede is headed away from the boy.
It’s attracted to the power plant.
Riki immediately jumps and swings off of a lamp post, using the momentum of gravity and the force of his swing to propel him faster than the slithering creature. Squinting, he holds out his fist and points his pointer and pinky out, following the movement of the centipede as he aims.
Bam.
He sends clusters of silky white threads down precisely at the first pair of legs to pin it down. The webs stop the creature momentarily, and Riki doesn’t have time to watch how the body shrinks up and fizzes out with blue shocks as it tries to wiggle loose and malfunctions. This fight would be over soon, and the boy smiles when he jumps down to shoot more webs to apprehend the centipede. It wiggles and sends electricity out through parts of its body, trying to pry itself out. He expects it to simply be a robot of sorts following a mission considering its avoidant behavior, but as he approaches the tail, the monster suddenly swings at Riki, and its mass and speed is incomparable to the boy’s reaction speed.
Riki lands into a tree and someone’s garage, feeling the crumbling wall falling all over him and the sudden pain blooming in his lower back.
This fight will, in fact, not be over soon.
With his superhuman abilities, Riki grabs onto the metal of the car beside him to hoist himself up, coughing from the dust, and jumping over the rubble to see how quickly the centipede creature can get out, without regard for his current state. The sound and rumble of the giant monster is all he needs to know that the traps are effective, but not at the previous capacity.
The plan is simple: apprehend the legs and crush the head, where Riki assumes the decision-making and programming is taking place. But the monster’s angry and erratic actions throw a wrench in his plan. Its legs move faster, digging into the cement and leaving ruin in its wake as it continues down the road. While both the villain and superhero are fast, the distance between the power plant is finite—and only grows smaller and smaller.
Although Riki can feel the bruises coming, he runs and swings, hearing the wind in his ears as he catches up to the centipede in no time. He tries the same tactics again–aim, shoot, stick, all the while keeping his distance. Although the monster’s body spans incredibly long, and should carry an immense amount of weight, the way it snaps at Riki’s flying body and sends shockwaves through his core leaves him shivering as his body slams into the ground, coughing. It hurts all over, and it feels like there’s weight on his eyes when he tries to open them and get up. His head is spinning as he staggers onto his knees, clutching his chest as he watches the centipede shrivel and crackle.
It seems like the voltage produced is a double-ended sword, one that burns up the centipede body as much as it deals damage, and with the way the mutant creeps towards the electricity of the plant, Riki gets the feeling there’s a magnetic pull that forces the mutant to continue to crawl even against its instinct to stop.
Despite his waning strength, however, Riki knows better than to half finish the job like last time. He creates a net from experience, weaving together the thickest and most durable threads to trap the entirety of the slowly approaching creature. It seems to crawl slowly up the makeshift barrier, knocking its head against the white and spreading the bright blue waves of its energy throughout. The boy watches as the thin white mass absorbs all of it and clings to the creature. It works, finally, after his attempts to nullify its movements, and he knows that despite the ache in his every step, the almost mummified centipede that hangs between several roofs for all the neighbors to gawk at is his sure sign of victory.
All he remembers is hearing a familiar call of his hero name before his legs give out and his head hits Jake’s chest.
Holy fucking shit is the first thing Riki thinks when he wakes up.
He’s not out of his tattered suit and he feels grimy all over, but his body has done wonders in reducing the otherwise fatal injuries he got. No human body should be able to withstand two energy-filled blasts, but his suit and superhuman healing are of greater help than ever in alleviating the damage from his wounds.
He knows why he’s in his bed with bandages thrown over his open wounds. He knows that every time something like this happens, it’s Jake who shoos away the concerned civilians, telling them he’s a medic. Jake is not a medic—rather, he’s a seventeen year-old boy who knows about his friend’s double life and with all the times he’s saved Riki, someone might as well dub him the greatest medic of all time.
The clock on his bedside table has only served as a bearer of bad news. He looks over to see how it’s practically midday, and he’s missed yet another day of school from fighting crime. He’s in no condition to get up or get his bag, seeing how his hair is frizzy and his cheek has a cut that would warrant questioning. It seems only fair that he stays absent, and before he falls back asleep, he only prays you aren’t too mad at him for leaving the seat next to you empty.
But you aren’t mad, just worried. The soreness in his muscles doesn’t go away though, and he groans when he sits up in his bed, with bandages around his arms and an ice pack discarded next to him.
He’s most definitely not coming to school like this.
While you bore holes into the clock hanging off the wall, that doesn’t speed up the time. Two minutes pass, then another minute. As your classmates find their partners and begin discussing, you notice how the room gets louder with the due date looming near. It’s the first time you’re alone without the familiar boy beside you, and something hangs low in your chest when you put in a pair of earphones and open your laptop.
Riki’s absence should have no effect on you. After all, you’re both just high school students who’ve talked once or twice, and yet you still look over at the empty chair. Staring doesn’t make Riki appear, though, and you return to your edits. It feels empty without his insight, or without him asking you to help him with a passage. Riki was your solution to all things boring. If he wasn’t doing his work, then you two were laughing at something on his phone. And if you agreed to both do something other than the report, then you could ask for an extra opinion when deciding prom details. There was something freeing about working with him that attracted you. Riki knew how to lighten the mood on days that weren’t so good for you, but he also worked hard and let loose at the same time. There was a perfect balance in Riki’s life that you aspired to have; it was a good mix of playful, dedicated, and fun all in the same vein.
The words blend together on your screen. Jay Gatsby this, Tom Buchanan that, it all looks monotonous the more you keep trying to read and comprehend what exactly you’re talking about.
Before class is dismissed, Mr. Yoo steps to the front of the classroom to gather everyone’s attention. He introduces your new novel for the next month, explaining yet another large assignment associated with the text.
Truth be told, you don’t pay attention to any of it.
The only thing you remember to do is to grab extra copies of the printed graphic organizers, as you get out of your seat and rush out when class ends in pursuit of one specific boy.
“Sim Jaeyun!” The call of his name diverts Jake’s attention from his phone to your waving arm as you weave through the students and finally reach him.
“You can just call me Jake,” he explains, “what’s up?”
You begin to reach into your backpack, trying to feel for your folder, and pull out a few sheets. “These are for Riki.”
Jake cheers internally for his friend who’s busy recovering at home. “What, you got a crush on him or something?”
He tries to play it cool by teasing you, but the smile you bite back leaves the boy questioning if there really is anything going on. Jake knows better than to tell you anything about Riki’s feelings, and opts to instead grab the papers and to thank you for looking out for his friend.
“Is Riki okay?” You have to know, just to make sure he’ll be here tomorrow to cure your boredom.
What Jake says is much different than the nonchalant wave and half grin he gives you. “He’s just bedridden.”
“That’s pretty serious! Did he come down with anything?” He seemed fine yesterday, so what’s the catch?
He blurts, “He just got badly hurt.”
Immediately, Jake knows he’s fucked up.
Your confusion and silence answers him far more than words ever could–he basically hears the gears turning slowly in your head.
Jake weakly defends, “His parents had a fight with him because he hit his head or something. He’ll be fine by tomorrow. Just bedridden from sadness, y’know?”
The look you give him is unconvinced, but when Heeseung pats him on the shoulder and waves to you, the boy realizes that maybe staying quiet would’ve been the better decision.
“I’ll see you later, ____.” And he’s off, waving half-heartedly and dragging a very confused Heeseung out of the cafeteria.
NISHIMURA RIKI MIGHT DIE TRYING TO WAKE YOU UP AS GENTLY AS HE CAN.
Ever since March started and flowers began to bloom, your energy seemed to do the opposite, dwindling until Riki catches you mirroring his frequent in-class action: sleeping. And it worries him beyond belief, because you’re not the type to fall asleep like… ever. However, Riki does not have the heart to wake you up, even if it’s with a little nudge that you probably barely feel with how light he taps. It breaks his heart to have to ask you to review what he has done, because the bell is about to ring and the teacher might just send you to detention if he catches you off-task.
The allergies always make Mr. Yoo irritable, and Riki knows not to get on his nerves.
Your eyes flutter open to the pokes and prodding from none other than Nishimura Riki, who gazes at you softly when you adjust to the bright classroom setting once more.
Panic settles in. “Wait- how long was I sleeping for?”
He shrugs and scrunches his nose, not giving you an answer as he finishes scribbling something in his notebook.
“Oh my god, I’m so sorry.” Your hand squeezes into a fist at the frustration that you’ve let your partner down.
And yet, Riki seems to be unfazed, frowning when he sees you stressing out. “Don’t ever sweat the little things, yeah? If there’s anything you ever need to talk about–trust me, I know what it’s like to have a lot of pressure on your shoulders.”
Smiling at him, you respond with, “Thank you, really.”
Being treasurer is daunting in the spring. It’s full of requests, forms, and small tasks that leave you spent by the end of the day. “But,” you glance at the clock to see just how much time is left, “how’d you know?”
He motions to your open computer with a now dark screen. “I saw your document pulled up. ____’s tasks or else she will be kicked out of student government,” he taunts, snickering when your eyes grow wide with embarrassment and you lightly nudge his shin with your foot in warning.
“It’s not polite to snoop,” and although you say that, you catch something in your peripheral vision. It’s a few drawings of a figure and gadget drawn, shaded from rigid shapes with small descriptions pointing to different places. You weren’t sure what was more surprising; how good the drawings were, or the subject of his imagination.
Weird. Inherently, there was nothing wrong with Riki drawing a villain, and you chalked it up to him being creative. Nothing more, nothing less.
He puts his hands up in surrender at your last comment, his grin showing anything but. Just one look at the boy makes you realize that everything you’ve just thought about is foolish.
There’s no way he’d have time to be a villain and a student. With one final thought, you let your raging thoughts rest and focus on the present; him. You’ve seen his hair messy, especially after his naps, but when Riki tries to style it like how he did today, you pay more attention to the streaks of blonde and how he often hides behind his bangs and scrunches his nose. It’s cute. He’s cute.
The truth is, you enjoy being around him like this, joking around and never worrying too much about your responsibilities and expectations. It’s refreshing. Being around Riki gives you the feeling that things will be okay in the end.
You snap out of your thoughts to see that his desk is empty, while your’s hasn’t changed one bit.
“You’re going to sell prom tickets now, right?” He makes small talk before leaving for lunch, closing the notebook you were suspiciously eying before slipping it into his bag.
“Yup,” you answer, popping the ‘p,’ “I’ll see you later,” and you two part ways.
All the long lines and constant distribution of change doesn’t allow much wiggle room for you to daydream. As time goes on, the ticket-selling line grows smaller and smaller, but the only thing you truly care about is eating the lunch your parents packed you. Your sandwich is probably sad and soggy now that there are only a few minutes of lunch left. When you finally sign off one last time after triple checking the forms are all correct, you let out a sigh, leaning back and finally getting a break.
Then, it hits you that you’re not even sure if the boy you’re fawning over is attending the biggest event of the year, and you feel stupid for forgetting to ask.
-
Yesterday was a rookie’s mistake–today, you’d make sure you get an answer from him.
“Are you going to prom, Riki?” is the first thing you ask when he sits down, grabbing his book and laptop with a little too much enthusiasm.
“I’m thinking about it.” Yeah, whatever confidence he had when convincing himself he’d ask you out isn’t serving him well at this moment. Quite frankly, Riki feels lame as ever trying to be nonchalant around you. “You?”
“I’d have to set up, so I would be there, yes. But whether or not I have a date is another story.” You smile to lighten the mood, but Riki watches you and nods, focusing back on signing into his laptop and getting his notes for the new book you’re reading.
“Well, you’re not the only single one here.” And he wants to reprimand himself for saying something without thinking. “If someone asked, would you say yes?”
You think about it carefully, really because you don’t have anyone in mind when it comes to prom if Riki’s not planning on going. “It’d have to be someone I know—someone I talk to somewhat regularly. I’d be nice to be with someone who doesn’t make it awkward.”
Nishimura Riki might die from over-thinking if he keeps on wondering whether or not he fits that description to a tee.
RIKI'S TO-DO LIST BEFORE PROM
☐ talk to ____ regularly
☐ don't make it awkward
☐ be..cute?
The boy decides that his superhuman responsibilities might be easier to complete than any of those three things.
He switches the subject to stop his head from hurting too much. “Did you finish the report?”
You still, and Riki’s question reminds you of the report looming over your head. In your defense, you two hadn’t brought it up much in the past week, and he didn’t seem to worry over how much of your time was spent emailing teachers or making spreadsheets. Although caught off guard, you’re quick to respond with, “What did we have to finish? I thought we were done since last week, but if there’s anything else-”
“Sorry,” he rushes out, biting his lip, “I meant, if you finished reading it.” And the answer is no, you haven’t read it since your last edit on it three days ago.
Within a few clicks, you find the document and scroll to the bottom, seeing the small note that Riki left that said ‘let me know how it looks.’ It’s sweet to know he thought about your input as much as you did his.
“While some can agree that Gatsby’s rise into high society was sketchy, Gatsby still retains the same reserved character from years ago, and doesn’t manipulate others into success or use his money for nefarious purposes. It’s not like he changed after his wealth, and it could be argued Gatsby loved Daisy until his last breath and was willing to die as long as she was happy, emphasizing the theme of sacrifice.
So, is Jay Gatsby a good person? The question targets the morality of a character who many can empathize with. Those who are charmed by his overwhelming love for Daisy would say that he’s committed textbook crimes, but focus more on the intent behind it. To pine after someone from a distance isn’t easy, but to pursue her after years of separation is even harder. It’s universally agreed, however, that love as a driving force doesn’t nullify what he’s done to others and the dirty schemes he’s enacted to gain the power he has. Therefore, Gatsby makes for an interesting main character, and highlights just how twisted a system around money can be.”
The last page is–for the most part–his writing, and your admiration for him grows when you finish reading and scroll to hit your Works Cited page.
“It’s good,” you tell him wholeheartedly, “Didn’t think you had it in you.”
Riki cracks a smile at your light teasing, soaking up your praise.
“Now you know.” He shrugs. And he can only hope that you like him as much as you like his literary skills.
NISHIMURA RIKI MIGHT DIE WHEN HE COMES TO THE REALIZATION THAT HE IS EXACTLY LIKE JAY GATSBY,JUST WITHOUT THE MONEY—DESPERATE FOR THE GIRL OF HIS DREAMS, DYING YOUNG, AND A FRAUD HIDING BEHIND SECRETS.
Nevermind the last one, he has to hide when he has an identity to protect as the city’s only superhero, but Riki feels his heart sink to his heels when he read a few weeks ago how much Gatsby simply adores Daisy. When Gatsby died, he scoffed, closing the book with a sudden disinterest. If he were the male lead, he wouldn’t have been laying in a pool for target practice. Maybe being a superhero teaches you how to avoid being easy bait for all your enemies, or maybe Gatsby was too carried away with love to think straight.
Fighting crime gives you insurmountable experience with sneaking around, but it wasn’t something he could just teach to anyone. When he gets this horrible gut feeling that something’s happened to you, he just knew something was wrong. He might not be easy to catch, but for anyone else? Definitely.
For everyone else, prom was a month away, but for you, it was three weeks of talking to your advisor and president, arguing with your other board members, and sitting behind that damn money box for another five days to sell tickets. For you, it was realizing that you were supposed to buy streamers and balloons yesterday on your way home from school. It was the thinly veiled disappointment in your board member’s texts when they told you they were at a loss for words. ‘I’m sorry, and I know you’re busy, but how could you forget? Prom is so important for all of us. What if they don’t have what you need anymore?’ It all repeated in your head as you bit your lip in frustration and slipped on the first pair of shoes you could find. Although it was dark and dangerous, you could care less if it meant avoiding the passive aggressive comments you’d get tomorrow during your meeting.
There it is again: that little tendency to not pay attention to your surroundings.
You yelp when you feel someone grabbing your wrist and pulling you in, muffling your screams as he pulls you along. To see him on the news was worrying, but to see Spark in person with your life on the line is even worse.
Tears spring to your eyes as you struggle against the metal to no avail, and you curse every previous moment you spent worrying about balloons rather than your safety.
Spark suddenly stops, shoving you against the wall before his hand grabs a brick with his metal arm, beginning to climb. “Don’t let go.” And you don’t think twice before holding on.
The city view would be beautiful if you weren’t hearing your heartbeat in your ears or if you weren’t dangling from the railing of some company building, trying to wiggle yourself free of the rope around your wrists.
Spark speaks up, drumming his fingers on the railing next to you. “You wouldn’t happen to know where your friendly neighborhood Spider-Man is, would you?” And you furrow your eyebrows, genuinely questioning for a moment if he really knew how the superhero operated.
A voice from across the street puts a temporary hold on your thoughts, and you glance up to see a flash of blue and red soaring through the air, followed by a groan and a beam of light next to you. Seeing Spark’s powers right in front of you spurs you into action, yanking at the rope and trying to take tiny steps away from where they were fighting.
“From what I’m seeing, you wanted to hold someone hostage because you’re not feeling too good, huh?” Spider-Man shouts as he shoots out webs and blocks hits. You shake your head in partial disbelief of how unserious he is, but also how unbelievable all of this seems. “You tried to take a potion or something? I’m going to tell you this now, but these usually don’t work.”
Riki’s assumption is right, and considering how Spark now has a leg and arm from metal instead of just the arm, the procedure for the additional limb couldn’t have been easy. The superhero still proceeds with caution, making sure to pay attention to anything new as he dodges and fights back.
The villain immediately gets back up, stumbling for a moment before he regains his stance and runs towards the boy. You hear the clanging of fist hitting metal from their fight, and considering the difference in height and build, you’d expect Spider-Man to be easily flung to the side, but he holds his weight in battle.
Riki aims for around the left shoulder, where an abundance of stitches cover the skin and fuse the metal into muscle. He lands a hit, and almost another one, before a punch to the side knocks him from his momentum. The boy wheezes when his back makes instant contact with the ground, rolling and getting up before Spark has time to shoot.
He notices how quickly the gadget generates electricity now. Before, the beams took longer, and were easily predictable, but now, it glows bright for a moment before it fires directly in Riki’s path. The boy dodges the first, but the second one almost hits the top of his head before he ducks and creates distance.
From the roof-top, Riki scans his surroundings before making the split-second decision to jump.
He swings to the other side of the building, keeping you in his peripheral vision as he works on apprehending the villain in front of him. They spring into yet another fist fight, with Riki’s agility easily letting him avoid punches and land precise hits to make the previous injuries even worse.
You think Spider-Man has the upper hand in this, seeing as how none of Spark’s punches seem to slow down the superhero, but you hear something loud before you can register it.
You figure out what happened after Riki stumbles and suffers a blow to the stomach, sending him tumbling to the edge of the building. Spark knew that Spider-Man was avoiding his left arm—he knew that one wrong move paired with the tungsten material would have a lasting effect on the superhero’s fist.
Riki coughs from the impact before his spidey-sense rings, pulling him back into battle as he runs as fast as his body can take him.
You. He still needs to save you.
With renewed vigor, he continues to avoid the flying sparks as he ducks between structures and uses the terrain to his advantage. He can tell, though, that the villain is slowing down. The shots are less accurate–a telltale sign that the enhancer Spark tried is working against him.
Between all of the chaos, Riki finally lands a proper web, yanking as hard as he can to pull Spark to the ground. He stumbles, grasping at thin silk before Riki lets go on his side. The villain’s balance is off, giving the boy an advantage as he closes the distance, hopping over a thrown slab of metal and landing a solid kick into Spark’s ribcage. As he stays down, Riki continues to aim for muscle and flesh, his head spinning as he packs punch after punch to keep the villain apprehended.
Spark’s body–curled into itself to absorb the hits the best that he can– hides the growing blue flash that he’s slowly charging up with his remaining power. The moment it escapes from under his abdomen, Riki directs his efforts towards avoiding the electric glimmer. The villain rolls over, his body tattered from the consistent injuries, and he fires what seems like an intense bullet of energy. It zips by the boy’s cheek, cutting the mask and leaving blood to run down in its wake. Time slows down as the superhero tries to process the unlocked speed of the burst, and Spark loses focus marveling at his new abilities. Never before had either of them seen power so concentrated, and it inflicts both fear and excitement.
He lifts his arm, the other holding it up for support, and Spider-Man notices the fizzle of bright blue. Riki’s about to jump out of the way, preparing for yet another high-speed bullet, but before Spark fires, something clicks. The arm doesn’t directly point to Riki–but it skews off to the right.
Except, he’s no longer aiming for Riki in the split second that the boy blinks. He’s suddenly aiming at you, where your hands are tied to the railing and your feet are dangling from the bent metal that holds you precariously over the edge, leaving a fifty foot drop in its wake. When you see the blue energy in the villain’s palm growing slowly bigger, you pull at the rope desperately with zero regard to the tender rawness of your wrists.
In your attempt to somehow break the rope, your cry of fear snaps Spider-Man into action.
Riki pushes his sore body to jump as quick as he can, leaping across the rooftop to the building over. He easily avoids the metal railing, grabbing onto your arm as he yanks hard on the rope, the force of it separating a piece of metal from the railing. He immediately jumps, sending out a web to swing him back up. It all happens in a flash–first, you were bound to the edge about to fall to your death, and all of a sudden, you’re tightly pressed against Spider-Man’s chest with your bound wrists still attached to the metal. Shutting your eyes, you trust Spider-Man entirely, closing your eyes to avoid seeing just how far up you were. Wind rushes in your ears and leaves your stomach fluttering with butterflies until the superhero sets you down on a secluded rooftop.
“Please,” he begs, “don’t leave. I’ll be right back.”
You’d be a fool to do anything but wait.
Riki checks on you one last time before diving down, springing himself back up with another web. The damage from the blasts is recognizable even from far away, and yet, he notices the reflective shine of a metal arm on the edge of the building before Spark lets go.
To Riki, Spark is dead after dropping from a fall having taken that much damage, but he hears no impact. Making haste, the boy fails to find any figure no matter how hard he looks, but Spark’s laboratory has to be here somewhere. The badge from a week ago was stuck on Riki’s mind, and he could only imagine the reasons why he pursued this life. Was he recreating something? If he needs to power some sort of machine, then the heart of the city is a perfect place to harness the electricity for any large scale project. As much as he wants to dedicate the rest of the night to searching the city for some sort of clue, the fact that you’re still stranded on that rooftop after having just experienced a life-changing event blares like an alarm in his mind.
He quickly leaves, returning to where you’re seated.
Without the fear of falling to your death from earlier, you were able to focus on undoing the knots from the rope. Red scratch marks and irritation bloom on your wrist, and the reality of it all happening still hasn’t settled in. Despite not being harmed once, the fear and incessant pounding of your heart overwhelms your senses, and it leaves you heaving with confusion.
A pair of footsteps only become apparent as Riki walks closer, taking a seat beside you and letting out a large sigh. He stares at the stars silently as if he doesn’t have a cut on his cheek and bruises waiting to paint his skin purple–as if he isn’t hiding his true self under a facade.
“You’re not hurt, are you?” You shake your head, grateful that Spider-Man was the reason you got away without a real injury.
“Thank you, really, for saving me. I don’t know how you manage to do it.”
Riki chuckles under the mask. “Eh, you get used to it,” you hear Spider-Man say. “You fight a couple bad guys, get over a fear of heights and eventually you get the hang of things.”
Scoffing, you gently rub at your wrists to ease the redness. “Easy for you to say. I haven’t been taught a crash course on how to avoid being supervillain bait just yet.”
“Maybe you should learn it sometime,” Riki responds absentmindedly, “someone like you shouldn’t have been out so late doing whatever it could’ve been.”
Sighing, your mind drifts off to think about the balloons and streamers that are not in your hand. “I had stuff for my upcoming events.”
He knew about all of it when you’d explain your cryptic reminders and notes on your computer, but he still feigns curiosity. “What upcoming events?”
“Just prom,” and he hears just how strained it makes you.
Riki tilts his head in faux confusion. “What do you have to do for prom?”
He notices how you immediately slump, as if the mere mention of prom deflates your happiness. “It’s only a few weeks away, and I was supposed to get decorations for our venue yesterday. I just wanted to slip out before my parents noticed.”
Despite the fabric over his eyes, Riki’s expression shifts from surprise to pity when he understands your stakes. “You still need to be careful. Is your student council strict?”
“Not strict necessarily, but judgemental–I ran for the position because I thought I could help my school raise funds and find more opportunities, but it just feels like no one truly wants to try anything new.” You wave it off as if it’s not that important, as if it isn’t the reason why you find yourself stressed so often. “I just don’t want to disappoint or give people something to talk about.”
Despite not being involved with school the same way you are, the boy next to you resonates with the fear you currently face. The fear of letting people down was a large part of why Riki continued to put on that mask and step into the most dangerous situation of his life; he never wanted to sit down to hear the news that Spider-Man quit.
So he keeps doing his job, even if some days are harder and some fights aren’t worth winning–just like what you do.
“Yeah, I get that,” he tries to console, “You must be doing a lot for everyone around you, and I’m sure a lot of people appreciate what you’ve done. Don’t beat yourself up too much, yeah? You’ll always have me.” He smiles, but he knows you don’t see it. You’re looking at the stars, trying to calm your mind and return to your life before everything happened.
You glance over at Spider-Man, wondering if he’ll truly be around for you when you need it. “If I need to talk to you, should I step out of my house past 8PM again?”
Riki chuckles, watching clouds slowly dim the moon’s glow in their path. “If I’m not fighting crime, I’ll show up at a moment’s notice.”
There’s no way he means it, but you grin, feeling a lot of the pressure and stress of earlier slowly wash away. After all, nothing happened to you–Spider-Man made sure of it. Maybe things really were going to be okay.
“Let’s get you home, yeah? Don’t you have stuff to do anyways?”
You shrug, nothing really coming to mind. As you get up, you remember having to run a plagiarism check on your work, and how Riki told you to text him when you got home after your student government meeting.
Riki. Spark. Spider-Man.
“Wait,” you tell Spider-Man, sitting back down on the cement, “I need to talk to you about something else, too.”
“It’s not like my dinner’s getting cold,” the superhero mumbles quiet enough that you can’t hear.
“There’s this guy,” you start, paying no mind to how dirty your clothes are getting when you cross your legs.
Spider-Man scoffs, looking off into the distance, and it makes you believe he has to be your age or older. “You have a crush on him, or something?” And a whole tidal wave of deja vu hits you in the chest.
‘He must be badly hurt’ isn’t just something people say. People don’t just draw insanely detailed drawings of Spark’s arm and machines without notes to follow unless they knew. People wouldn't just randomly miss school without any impending signs. You’re sure of it–the tired naps in class, the random drawings of superheroes and superhumans alike, or how awkward he could act–it all makes sense.
Your classmate, aka Nishimura Riki, aka the guy who you’ve questioned if you had a crush on for the past few days, might be a villain.
The swirling feeling of trepidation in your stomach leaves three words running around your head.
What. The. Fuck.
Although you tried so hard to stop thinking about it, Jake’s comment from before rubbed you the wrong way. It was sometime last week where you couldn't get your mind off of the implications of his words, but that feeling was brushed underneath your responsibilities.
Until now.
“Yeah, there’s this guy,” you breathe, feeling your chest constrict, “Nishimura Riki. I think he’s Spark.”
His blood runs cold.
“You think this…why?”
You take a deep breath, trying to organize all your thoughts. “Well, first, it was his friend, Jake. He said that Riki was badly hurt, and I was really confused at first, but tried to let it go.”
Riki was going to strangle his best friend.
“And then, I was looking at him in class, right? And keep in mind, he’s pretty cute, and we sit next to each other, so I just noticed how good his hair looked that day, but his notebook was out, and I saw all these drawings of Spark. Like, the arms, the metal things, even the projectiles! Who would know the ins and outs of that thing if it wasn’t Spark himself?”
He didn’t know what to think about first; the fact that you gushed about him for the first time, or if he should even tell you that Spider-Man would know those things, too.
“And sometimes, I notice he’s a little awkward around me. I can’t explain it. It’s like he’s paying attention to me. That must’ve been why he captured me.” He wants to laugh at how damn close you are to figuring it out, but in reality, nothing is funny about the situation.
Nishimura Riki is actually listening to this, right now, as Spider-Man–not Spark. The awkwardness, though? It was his crush on you, and was not superhuman related in the slightest.
“I don’t know,” he attempts to divert, pretending to focus, “I saw a badge for FLiGHT. You know the company that’s been making time traveling machines? I saw a glimpse of his name and face. It’s not that guy you mentioned.”
You raise an eyebrow. “And you haven’t gotten him caught?”
“Villains aren’t easy to find, y’know. It’s not like playground hide and seek,” Riki defends, crossing his arms.
You shrink in your spot, feeling sheepish for questioning a superhero so bluntly.
“Plus,” he continues, “Spark has never had a hostage. Wouldn’t it be pretty mean of that friend of yours to kidnap a girl from his class?”
“Yeah—that makes sense. Thank god,” you breathe, closing your eyes momentarily. “Then what do you suspect all that evidence leads to? Maybe he’s a secret agent?”
“I think,” Riki continues to keep up his clueless facade, “Your friend might just be clumsy. Or creative. I mean, maybe he went through a break-up?” Nice one, Riki.
You shake your head. “No, there’s no way he has a girlfriend. You’d think I like guys who are taken?” Scoffing lightly, you then remembered that Spider-Man really would have no idea who any of you are.
He shrugs and stands up stretching before motioning for you to follow him. “I have no idea what you high school kids do. Come on, let’s get you home.”
As you hug him tight, the cold air whips around your body and leaves goosebumps in their wake. You barely open your eyes from the fear of seeing yourself inches from hitting a building or up in the air. Spider-Man only yells his confirmation after asking how to get you home, finally placing you on the ground outside of your large gate.
“Thank you for saving me tonight.”
“Anytime. Figure things out with that friend of yours, and don’t go out late, okay?” You nod and take his words to heart.
“Goodnight, Spiderman.”
—-
Nishimura might die. One, because he has this horrible guilty feeling in his stomach, and two, because of a villain.
Yesterday, he ignored the salmon and rice bowl that waited for him back at home, choosing to follow the coordinates he saved on his phone after he took you home. It led him to a seemingly harmless auto-shop, with an arrow on his GPS pointing to a garage that was shut down completely with nails and blocked with boxes. The exterior pointed to it being abandoned, but Riki suddenly saw some light coming from a makeshift above.
The boy scaled the wall as quietly as possible, glancing into the source of the whirring. He caught small glimpses of something–metal, glowing, blue.
Or at least, for a few seconds it was on until the power went out.
The voice that complained from inside the room sounded identical to the man Riki fought. Spark grumbled, turning on a flashlight and quickly waving it around. Riki ducked from the window and held his breath, waiting for the man to suspect something.
Nothing.
One lightbulb slowly flickered back on, and then the other dingy light followed. The space was cramped with the metal equipment in the middle, resembling what Riki had seen in the news.
He was right–it was the same time travel portal that was ruined from a few months ago.
Spider-Man continued to observe the man as he worked and drilled, plugging certain wires or pausing momentarily to read from a journal. To anyone, it’d seem peaceful, like some sort of renovation project. But in reality, it was so much more than that.
Riki searched for any sort of information about the machine, trying to see what exactly was left to do until his gaze landed on something.
There was some sort of date on a bright pink sticky-note, and Riki’s eyes widened when he finally comprehends it.
The machine was scheduled to be completed tomorrow.
-
A street lamp next to Riki dies out—which was a clear sign that something was powering up. From the dark, he hears the metal from the same place as last night moving again, and he knows that Spark has left. His presence sends anyone down the street and immediately running, leaving the area for only them two.
Riki finally sees the completed metal build. Half of his body is wrapped in or replaced with metal parts as he sets down the metal portal, beginning to push it in the direction of the power plant.
A truck or car would make things much easier, but whatever.
Riki wants to cry from fear and run away. He wants to leave and pretend he never saw anything from last night.
He’s going to die fighting Spark and he will quite literally a) never finish highschool and get that stupid diploma, b) finish explaining how Gatsby is not a good person and is naturally selfish, and c) he’s never going to tell you how he’s had a small crush on you ever since he saw your cute campaign video as to why you should vote y/n l/n for student body treasurer last spring.
“You sure that thing works?” Riki asks, jumping into action as he sends webs to immobilize the machine.
“You’re annoying, you know that?” Spark sends a projectile in the superhero’s direction, hitting the wall behind him instead as Riki jumps out of the way.
With another duck mid-air and the roof of a flying car dangerously close to his nose, Riki thanks the dance practice he does for his flexibility as he shoots another web and swings away.
Spark is uncontrollable by now, sucking the light from street lamps and fizzing wires in his wake. He has no idea how he’s supposed to get in contact with the villain like before. The body of his suit fizzes with bright electricity that sizzles and pops. It illuminates Spark’s figure, making him easy to spot, but not so easy to defeat. It’s an overload of power, causing the voltage to escape between the joints and gaps of the metal pieces in his suit. And Riki can feel it; the air is heightened and so are the stakes of this fight—and with how the man that stands in front of him looks upgraded and menacing, he knows only one person can make it out of this fight alive.
“You injected the city’s ‘Gas and Electric’ into your system or what?” Riki calls out, making light of the situation. If he’s being honest with himself, he’s scared out of his wits seeing the six foot figure with blue and white shooting from every crack, looking like a nightmare to touch.
Riki avoids a few more angrily thrown objects, using the momentum of his jump from the side of the building to zip from the top of a yellow fire hydrant to go from one side of the street to the other. “You’re slow!” He taunts, tucking in his legs to avoid a shot of electricity directed at him.
The screech of metal from the nearby hydrant can be heard as the top flings off, making Riki lose his anchor/ Before he can process it, instead of smoothly landing on the building, he crashes into it faster than expected, groaning when his back makes contact with the glass and he tumbles into the living room of someone’s apartment.
“Fuck,” he curses, fighting his aching limbs to get up once more.
And the solution hits him. Literally.
When he steps out and quickly attaches a web to the top of the building, he’s met on the way up with a splash of water from the hydrant to his face, and Riki splutters as he wipes his mask, regaining focus as he lands on the concrete and hides behind the ledge.
Water. If he can get it in contact with Spark and pour enough water on the right spot, the excess of electricity blazing from his mechanical body should work against him.
“Too scared? You should know better than to run away.” The superhero rolls his eyes, crawling away silently to avoid being seen by Spark. Riki does his best to look around for something, and finds a black flower pot in the corner, using a web to grab it before he scales the side of the building and runs away while Spark is distracted as the villain also climbs the wall to face him there. But when Spark climbs the ledge and scans the premise, Riki is nowhere to be seen.
Instead, Riki swings across the street and fills the pot with water, heaving the extra weight as he shouts out from the sudden pain in his side. He stumbles on the pavement, crying out from the injury as the pot falls with his whole plan.
Maybe this is where Spider-Man dies.
He sucks in a deep breath before rolling from his back onto his knees, ignoring the wound to pick up the flower pot. The hydrant still shoots out water, and the superhero rushes towards it, causing Spark to follow. He narrowly avoids another shot from behind him, reaching the yellow hydrant before dropping the pot on the ground. Spark is th
While Spark has always been intelligent, Riki could tell that the man didn’t fear the water, believing he’d be invincible to the elements now that his suit was perfected. There was something off, Riki could tell, and he would make sure to use it to his advantage. Spark was uncontrolled, and his powers drastically decreased the more he used them. There’s no way his body isn’t in overdrive with how recklessly he’s been letting himself get hurt.
Riki uses a web to get himself on higher ground instead of fighting, waiting for the supervillain to follow. If he could get Spark off the edge and fall into the growing puddle of water, it should slow him down.
Spark scoffs. “Run away, then. Like you always have.” Riki hears the wall crumbling under the villain as he climbs within seconds, immediately preparing to fight when he makes it onto the rooftop. But Spider-Man was also prepared, jumping from his crouched hiding position and attempting to catch Spark off guard.
All he can focus on now is pushing him off. There’s no way it’d be easy, considering he had to focus on his touching any of the electricity off of his suit. Riki delivers a kick to Spark in the ribcage near his heart, where he’s fused metal into flesh. The villain coughs before taking a step back, his metal arm reaching for Riki’s outstretched leg. He grabs it, twisting with anger before the boy meets the ground in a violent throw. Not only is the slam greater because of the enhanced strength, but the power seeps into Riki’s skin, leaving it hot from the energy radiating off of his palm.
The boy groans, flipping to his side to avoid a fatal hit to the chest. He reaches for Spark’s normal arm, swinging the villain’s body away with as force as he could to create distance between them.
Riki has been in enough fights to simply know when to run, even if he doesn’t know what’s coming. He could feel the tingle of the charge as it powered up, and with its energy so unrestrained and its user so unstable, the large attempt to hit Riki sends the villain stumbling back from the force. The more Spark uses his powers, the more likely he’s going to end up dead.
“Your skin can handle that anymore!” he shouts, getting ready to swing himself closer as a plan manifests itself in his head. “You’ll die like this!”
Spark seems to know that too as he wipes his mouth and recovers from Riki’s attacks.
“You think I care?” He shouts, desperately pressing his wounds to stop the bleeding. “You think I have anything else for myself?” The vulnerability of his character shines through as he clutches his bleeding wound without regenerative powers to help. “You think I didn’t know that when I did it to myself--what they did to me?”
Riki doesn’t respond, grimacing as he continues hand-to-hand combat. Although he takes a solid punch to his jaw that’s forming a deep purple bruise, he manages to trip Spark onto the ground.
The man stumbles back from the head injury, the pounding from earlier not letting him to think straight. Riki doesn’t try to injure him anymore, but he instead blocks an incoming punch and tries to force Spark towards the edge.
The villain barely notices how much space there is left, and the boy lunges with full force. They tackle each other into the ground, and Riki gets off after apprehending him once more.
The city's a mess, and Spider-Man’s eyes want to shut down so badly, but he takes a few steps in Spark’s direction, pushing him off the side of the building as quickly as he can. Riki hears the thud before he peeks over the edge, seeing the water erode all of the engineering from the machinery. He slowly descends from the rooftop.
“You were in the accident, huh?” Riki shouts on top of the plethora of sounds. Pain, buzzing electricity, splashes of water as he lands next to Spark; it all echoes in his ears as he pours the water from the pot on Spark’s body. “Why did you try it? Why did you want to go back so bad?”
“If I could go back,” Spark coughs, trying to get away from the large pool of water, “I could’ve prevented the accident from taking the lives of the people around me. I could’ve saved them.”
Spider-Man understands loss, and he understands the regret that comes with failure. He understands how the man in front of him feels after having everything taken away from him, but his emotions could never justify his actions.
“You know you can’t change things,” Riki responds, “You tried your best, Spark.” It’s the last thing Riki tells the villain before his body slumps and police sirens grow louder and louder. It’s the last thing that he continues to think about, even if the medic quickly assesses the severity of his wounds.
“I’m fine- really,” he pushes away the hands of a concerned woman as she holds a roll of bandages. “There’s something else I need to do.”
Riki knew he had to tell you about this–he couldn’t just let you confide in him about..well, him, without your knowledge. And Riki wasn’t morally perfect, but he knew an explanation would be the only way to fix things.
Your house looks different when jumping over the fence instead of standing in front of it. When he realizes he has no idea what room belongs to you, he racks his brain, suddenly remembering how yours was the only one with a gray balcony over the pool. And so he climbs, slipping from the exhaustion creeping into his body.
You’ll understand after he explains everything, right?
“____, a little help?” And what the fuck is Nishmura Riki doing outside of your door? You go to investigate the muffled sound, inching towards the curtains and pulling them back to expect him there. When you hear a half yelp and a hissing sound that follows right after, without a person anywhere in sight, your heart drops to its stomach.
Do not say it’s true.
“Riki, where the fuck are you?” you ask, traversing out when you don’t see him anywhere across the glass.
“Down here.” You run in the direction of the voice, and your eyes grow comically large and you gasp, staring down at the sight before you.
“Holy shit.”
There Nishimura Riki is, with his mask half burned off his face and his blonde and black hair messy and matted to his forehead with sweat. The suit is ripped in multiple locations with gashes and purple replacing the healthy skin underneath. His face is in more of a grimace, as he holds onto the web with both hands and one foot planted on the stone of your balcony—read; the bottom of your balcony.
“A little help?” And you see his sheepish emotion through the tattered fabric, embarrassed after you had to find him in such a compromising situation. “I’m a little worn out and I think my webs are getting weaker.”
You’re a little frustrated with him for being out so publicly, but more scared and worried for his condition. Your gaze narrows on the mask, tattered and covered with scratches, but clearly visible. It was Spider-Man’s mask. The material gives way to a familiar face, and your mind almost blocks you from putting the pieces together. It’s impossible, almost horrifying to think of the implications of what it means to wear the blue and red suit.
Instead of being the villain, Riki is, in fact, the savior.
The harsh truth is that your classmate, who you spent the last month working on a project with and suspected was a villain, is the same superhero that went out and risked his life every night fighting crime. It’s jarring to see him like this, breathing heavy and straining against the stone of the balcony, and his cough snaps you out of it. “What the fuck do I do?”
Riki tries to put his hand up in surrender and shuts his eyes at your harsh tone. “Okay, okay, I get-“ and he cuts himself off with a yelp as his footing slips.
He holds out his hand, and you immediately bend over the smooth railing to grab it, leaning back on the heels of your feet to help him up the most that you can. You’re filled with confusion when the boy hobbles over the cool surface of the balcony and lets his head rest on the stone, not saying much as he catches his breath. You watch the rise and fall of his chest and how his right arm goes to nurse the left side of his ribcage, wincing and sucking in a pained breath as he assesses the smear of red on his fingers.
Sitting there with your mouth agape, you’re not really sure what to think about first; to check if RIki’s alright, to think about how your city’s greatest superhero is your English project partner, to yell at him for going to your house instead of his house to fix himself up, or to think about how good his side profile looks in the moonlight. Maybe you should’ve just been relieved that the boy you started to like wasn’t a fear-inducing villain.
“Okay, first of all, we need to have a huge talk. But I’m not a medic Riki- I’m going into accounting for fuck’s sake.” He hears the amount of curses flying from your lips as you ramble, and sees how stressed you look watching him sit against your railing.
“I don’t know how to help you. And also,” you lower your voice and scoot closer, looking around at the large property to really make sure no one’s listening. “you’re Spider-Man?”
The information all hitting you at once is worse than when your history teacher told you your essay was horrible. At least then, in her office, you could process everything. But here? You’re about to faint.
“I’m pretty cool, huh?” And of course Nishimura Riki says such a thing, taking deep breaths as he shallowly presses on the blossoming bruises on his skin and wipes the sweat from his brow.
“Pretty fucking stupid is what it is, Riki.” You cross your arms and try to take a look at where he’s been hurt, hoping that at least he has some sort of regeneration ability that helps him heal much quicker—because there’s no way he could deal with all of this on top of school.
“I have my reasons,” he says, his voice quiet.
You pause. “For being Spider-Man?”
“No,” he shakes his head. “For coming here.”
“What could possibly make you want to come over to my house instead of the nearest hospital? What’s that important to you?”
“I really want to ask you to prom.”
You simply stare at him, surprised.
“You came to my house, even though you’re like, a punch away from passing out, to ask me out? And you couldn’t have, I don’t know, asked me anytime during the classes we have together?”
Riki somehow finds it in himself to frown and shrink from your angry piercing gaze. “I can’t because talking to you makes me nervous–so yeah, I’m sorry I’m half conscious on your balcony in my suit instead of at your door with a poster.”
You’re conflicted, your mind still reeling from the recent discovery and your flood of emotions. Ever since you questioned his identity on top of your feelings for him, you had a hard time really knowing if you could like Riki if he turned out to be a villain, so to know that he proved both of your theories wrong leaves you quiet as you think. If possible, the color in the boy’s face drains even more when you go back inside, but the door stays open, and he thinks he hasn’t ruined things after all. You emerge with a bottle of isopropyl alcohol, a bowl of warm water, and a pristine white towel.
“I’m not mad about that, you idiot,” you reprimand him, setting everything down as you examine the cuts on his face. You squeeze the towel and start to dab at his skin, avoiding the cuts as you clean it. “Who does this for you if not me?”
“Jake.”
“Seems like a pretty good friend.” Riki nods in response.
“I’m sorry,” he sighs, sitting up to properly address you, even if you weren’t able to meet his gaze.
“For what?”
“For putting this on you–all of it. Not just the whole Spider-Man thing.” He knew he’d have to tell you at some point, or else it’d eat him up inside to know he kept all of it from you.
“Look at you, saving me mid-air and talking to me as if you didn’t know who I was.”
You notice a flash of regret through his wince as you clean up a cut with antiseptic. “I meant it when I told you I knew what it was like to have a lot of pressure.”
“Guess I wasn’t so far off, then. If we never talked, would you have told me?” Riki shakes his head, and the simple motion leaves you somehow disappointed.
“How do you ever tell anyone you’re…y’know, Spider-Man?” Even if it’s a hypothetical, you shrug, not being able to answer.
“How’d Jake find out?”
Riki chuckles and hisses at the same time before trying to remember. “I think I just kicked his window in after a nasty poison got hold of me. He was a little too excited to have Spider-Man on his bedroom floor, and less excited to know it was me. I’m not really supposed to tell anyone, though.”
“Then why’d you tell me? You could’ve just gone back to your friends.”
“I felt guilty–I know, I know, it sounds stupid. I’d definitely get my identity revealed at this rate.” You shake your head.
“Not stupid. Keep going.”
“I didn’t care that you suspected me, or if anyone else did, because I knew it was never true. But I felt so bad knowing you were sharing to me how you felt without even knowing it was me who was listening–like I was holding something from you.”
You admire his honesty, and when you look at his furrowed brows and his lip that he’s been gnawing from worry, you can’t even imagine what he’s had to hide and do for this. In a way, you look up to him more, for trying his best even if he’s gotten all odds stacked against him. Riki’s commendable in your eyes–he always had been, ever since you woke him up in class.
“I like those things about you, Riki. That you’re honest with yourself and the people around you as much as you can be, and you try to help others when you can. I’m glad we got to know each other more this past month.” Talking to him feels different than talking to Spider-Man from a few days ago; it feels raw, like you’re not just confessing something to a brick wall anymore. If none of this ever happened, you doubt you’d get the chance to tell Riki any of this properly.
The boy stays silent, taking deep breaths while processing what you’ve told him. “I’m glad I could help you out.”
You furrow your eyebrows. “I hope you know I don’t like you because you help me out. I like you because you’re attractive, and because you’re genuine,” you blurt.
Riki laughs despite his ribcage hurting everytime he does so. Riki nods and mumbles a ‘thank you,’ also glad to truly get to know you. While his crush was more of an infatuation with your hard work and amiability, the past few weeks really opened his eyes to who you were. You never wanted to disappoint, and even if your recklessness left you in some dire situations, Riki could see how much effort you really put into things.
There wasn’t anything else he needed to tell you–you were smart enough to see how much he cared about you.
You’re so close, your lips glossy with lip balm as you watch him carefully. You hear and see it all; the heavy, labored breathing from his body healing itself rapidly, and the way his hand is full of rough cuts and calluses as his fingers intertwine with yours. But your eyes catch a glimpse of his mask tossed to the side, the blue shining in the corner of your eyes as you’re reminded of who he is right now, and what role you play. You are still ____ ____, but he’s a superhero.
It makes you momentarily forget whose suit you're peeling away, whose skin you're cleaning. It reminds you that he’s just the boy in your English class that you fell for. “What does that make us?”
“Prom-goers,” he answers with a slight nod.
You smile, wiping a cut before placing the towel back into the bowl for the last time and getting up. “We can be prom-goers, yeah.”
You’re not sure if you’re ready for anything, and you’re thankful that he understands that, too. As much as it warmed your heart to see him again and hear his confessions, the blaring truth still hangs over your head. You grab his mask, finally looking at him before handing it back and grabbing your things. His secret identity wasn’t something you could just ignore.
“Go home, Spider-Man,” you turn your back on him, and time slows when you falter before sparing him one more look. “I want you as Riki, not like this.”
MAYBE NISHIMURA RIKI DOESN'T NEED TO DIE–OR ALMOST DIE–ANYMORE.
He went home that night with his scars somewhat cleaned and his bruises miraculous healing on their own, and even if slipping through the window left him clutching his side in pain, Riki silently jumped up to celebrate his multiple victories before slipping out of his suit and finally getting some rest.
Riki’s scared of how he’s affected your relationship. He’s worried you’ll avoid him in the halls, and he’s worried you’d never want to see him again after putting you through all of it. As much as he'd understand how upset you'd be towards him, he hopes he did the right thing by telling you.
But you see him on your way to English, and you call his name. His eyes search for yours in the crowds, and you two see each other before you crush him in a hug.
Riki isn’t sure how to feel at first, but eventually wraps his arms around you as relief settles in his stomach.
“Thank you for saving me, Spider-Man,” you whisper, loud enough for only him to hear.
He smiles at you, ruffling your hair as you go to English together. “Anytime, ____.”
NEVERMIND, NISHIMURA RIKI MIGHT DIE WHEN HE SEES YOU IN YOUR RED PROM DRESS.
But first, he has to try something out.
He curses to himself when silently zipping from a tree outside your family property to the top of your house, staring past the ledge two and luxurious stories to your well decorated porch light and door. He just prays that Google Maps is right about how secluded the area is, so no one can see him pacing around your rooftop, with flowers elegantly wrapped in his hand (courtesy of your mother’s sleek envelope from a few days ago).
“Fuck it,” he says to himself, shooting a web and dangling himself down. Riki’s upside down figure watches swirled window frames and meticulously designed accents as he descends, and he wonders what kind of shady business your parents could’ve done to afford something so grand.
He faces your door—hanging down instead of rightside up, but he’s still here on time like he promised.
The door opens at 6:00PM like he instructed you to, but what he didn’t tell you what to do was shriek and slam the door. On his nose. With a loud yelp, Riki clutches his nose, rubbing the spot you hit and trying to apply pressure to alleviate the pain.
When the door slowly creaks open again, you face with the image of Nishimura Riki, aka your boyfriend, aka your English partner, aka Spider-Man, curled upside down in the fetal position as he cradles the sore spot on his face and swings slightly from the breeze.
“You scared me, dumbass! How was I supposed to know it was you? It was so hard to see!”
Although muffled, Riki’s able to mumble, “You have a porch light for this reason, _____,” and a jab at his stomach from you follows his sarcastic remark. Finally, his nose feels better, and he straightens out to finally look at you.
Pretty, pretty, pretty, and the boy wonders how you look even more stunning with a glittering red dress and perfectly done make-up. “I like the red,” he says, trying not to freak out over your beauty. “Reminds me of a certain neighborhood superhero.”
“I have some blue spider earrings to match.” With a beautiful smile, you turn to show him the little accent, and it melts his heart. “Are you okay, though?”
“I’m fine. I should’ve probably put more thought into that.”
You snicker, sliding into your heels and closing the door behind you.
“One of us is better at romantic gestures, it seems.” It warrants a scoff, and Riki brings a gloved hand to poke at your forehead teasingly.
“Let me have a do-over, then?” And the way your lips curl up into a bright smile leaves him quiet and in awe.
“What, were you going to kiss me? Very original, Spider-Man.” With the way the fabric shifts over his features, you can tell he’s pouting.
“I thought girls liked this.”
You shrug, pretending you aren’t swept off his feet by the effort he’s put in. Taking a step in his direction, your hands reach up to gently pull the mask over his chin, ears, and then his nose.
Whispering quietly, you ask, “You’ve kissed other girls upside down?”
Riki’s quick to shake his head. “You’re the only girl I’d withstand a head rush for.” And god, you just can’t stop yourself from grinning at his sweet, genuine words.
You lean in, placing a small kiss on his nose as a silent apology. Then, you close your eyes and lean into him once more, feeling his hands carefully holding the side of your head and his lips on yours. Your kiss with Riki is saccharine and slow, making you pull away when the urge to beam at him is too much. Your cheeks definitely hurt by how romantic he’s being, and you can’t resist kissing him once more.
“I’m not gonna lie,” he starts, finally letting himself down, “It feels weird.”
“You ruined the moment.” And he really didn’t, but you enjoy his subtle reactions to your light digs at him.
“Whatever.” Riki laughs. “Stay here, I’ll be right back.”
You nod, sitting down on the porch and dragging a manicured nail over your lips with the ghost of his affections, thinking about how you literally just kissed Spider-Man.
Riki comes back, dusting off his suit and smoothing out the wrinkles, with a large bouquet of red roses and one blue one snuck in there. Your lips stretch into a grin and you accept the bouquet, keeping a mental note to read the card in there.
“You never cease to amaze me, Riki.” It’s the last thing you mutter to the air before you loop your arms around his neck, urging him to lean down as you kiss him once more—this time rightside up, but still as sickly saccharine as the one before it. Your heart is fuzzy with fondness and your eyes glitter with adoration.
“So, which kiss was better?” he asks when you pull away, a little breathless and dizzy.
You swat his arm and walk past the gates, seeing the sleek limo waiting by the curb. “I don’t know, Spider-Man. Maybe show up in your suit and we’ll try it again.”
REBLOGS AND FEEDBACK ARE ALWAYS APPRECIATED AND ALWAYS READ!
RIKI FIC DONE!!!! ngl y/n u were right there how did u not know riki was spiderman but whatever idc she's a hard worker not smart LMFOAOAO. my first ever action fic so i hope you enjoy! also i hate the ‘oh he pined after her for 4 years she liked him for 2 months’ bs because I WAS IN IT. and it sucks so i tried to deviate from it :)
꣑ৎ permanent fic taglist (TAGGED IN TEASERS, FICS, HEADCANNONS, DRABBLES, ETC.): @dimplewonie @minleeeknow @heeheesang @mintpjzroll @llvrhee @firstclassjaylee @in-somnias-world @rairaiblog @suneng @mavlogist @sensitively-taken @sumzysworld @simpjay @moons-v @riksaes @txtari @jungwonscatcus @tya0 @sasfransisco @woorcve @shypen @pinkriki @rikisluv @saranghaohoshi @lilifiedeans @wonmyheart @k1ttyluvr @nikisgfff @ramenoil @laurradoesloveu @lvcky-g1rl-syndr0me @ikeulims @missychiefs1404 @qwonyoung23 @yangjungwonnie @onementally-unstabel-kid @microwvdstrawb3rri3s @blooqz @anormieee hi permies hope u enjoy! kith
#k-labels#k-films#kflixnet#enhypen#ni ki fluff#niki smau#ni ki scenarios#riki scenarios#enhypen headcanons#enhypen imagines#enhypen angst#riki#enhypen fic#ni ki x reader#riki texts#niki texts#ni ki texts#riki smau#nishimura riki x reader#enhypen scenarios#nishimura riki#niki fluff#ni ki x you#niki x reader#niki x you#riki reactions#niki scenarios#enhypen reactions#riki x reader#riki nishimura
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*deep breath* Okay. Here we go.
I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.
But the way it handles its female cast is troublesome.
Katara
So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.
They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.
And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.
Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.
This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."
"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.
Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.
In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.
But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?
No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.
And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.
In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.
Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.
Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.
The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.
Suki
Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.
They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.
Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.
Yue
Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.
"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."
Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.
They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.
Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?
June
June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.
Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.
She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.
Kyoshi
And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"
She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.
Azula
Awkwardly, they do not seem to want you to despise Azula.
There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.
This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.
They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.
This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.
Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.
Conclusion
The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.
Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.
But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.
The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.
"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."
The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.
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Hello, how you doing ?
Could i request Cregan Stark x Daemon's first daughter, born from Rhea Royce ?
She is a Targaryen and has a dragon, but she is very shy and tends to keep to herself, so she doesn't tell Cregan about being bullied by Arra Norrey's maids, who think she is not good enough for their lord.
He figures it out when he finds her letters to Rhaenyra and sees her trying to put her bags on her dragon to flee in the middle of the night.
Feel free to ignore this if you don't like it, have a lovely day ☺
Shadows of the past - Cregan Stark x TargaryenReader
![Tumblr media](https://64.media.tumblr.com/704dd798b86e1699b470a2f22585bbe3/08253481c0c5b4e7-89/s540x810/f5a76009b0a2ecf72145193d6cf052a73b20ad2a.jpg)
summary: Cregan Stark, Lord of Winterfell, is forced to remarry after the death of his first wife and childhood sweetheart. His new bride is the eldest daughter of Daemon Targaryen and Rhea Royce. Cregan fears the worst. But his wife is sweet, gentle, beautiful, kind. Everything he could wish for. He starts thinking you are slowly building a life together in the north, however he realizes that it is not as idyllic for you as he thought.
words: 7.244
warnings: angst, mention of bullying, mention of sex (not explicit), slow burn
a/n: I love writing for Cregan soo much its not normall anymore. Thank you anon for your request🧡. I hope you like it. Sorry that it took me so long.
no use of Y/N, and as always: English is not my first language, no beta, AO3.
requests are open// main masterlist// hotd masterlist
When the offer of your hand from Dragonstone came, Cregan was skeptical. The eldest daughter of the rough prince as a wife. But he needs a new wife. It is his duty as the Warden of the North. And an offer from the Targaryens is not something you simply refuse. So he agrees.
Cregan had expected you to be a spoiled, arrogant, selfish princess.
The girl who arrived in Winterfell on her dragon is exactly the opposite.
You are shy, reserved, calm.
Outwardly, you are entirely Targaryen, with long blonde hair, deep lilac eyes, gentle facial features, beautiful.
Internally, there is none of the infamous Targaryen temperament in you.
When you speak, your voice sounds like a melody, always soft and gentle.
If it weren't for your dragon, Silverwing, Cregan would never think you are Daemon Targaryen's daughter.
The first few weeks, you were very closed off. Never speak unless you are spoken to. Spent most of your time in your chambers, with work or with your dragon.
So he tries everything to make you feel comfortable in Winterfell. He walks with you through the Goodswood, has your favorite food prepared, makes sure you have enough warm cloaks and dresses. When he introduces you to his son Rickon, he is more nervous than he should be, but your eyes begin to shine as the heir of Winterfell greets you politely, just like Cregan has practiced with him.
On your wedding night he swore to you he would never take you if you didn't want to, he gave you all the power in your marital bed. That night you allowed him to lie with you, he was careful, always aware of your fragility, making sure that you also felt pleasure. After that night you didn't invite him into your bed again. Cregan longs for you, but he would never pressure you.
In your first weeks as Lady Stark you spend a lot of time with Winterfells Measter, ask a lot of questions, slowly working your way into your duties as Lady Stark. Cregan quickly notices that you are well prepared for the role of a Lady of a Great House in Westeros, but Winterfell is unlike other castles. You surprise him by quickly get used to it.
The moon hasn´t passed fully since your wedding, when he finds you one day in Rickon's chambers. You are sitting on the floor with his son and play with wooden soldiers, Rickon is telling a fantasy story and you are encouraging him. Cregan's heart swells slightly at the sight.
He clears his throat to get your attention, you flinch violently, when you look up at him you look like a deer.
You get to your feet immediately, surprisingly elegant despite your hectic behavior. "My Lord." you say and lower your head in front of him. A gesture that he couldn't drive out of you.
"My Lady. What are you doing here?"
"We're playing papa." Rickon intervenes without being asked. "Are you playing with us?"
"Unfortunately, I can't today, I have duties to attend to. I just wanted to check on you, my boy."
"I'm fine, father. We're playing great. I have so much fun." he holds up his favorite woodknight.
"Then I don't want to disturb you any further." he smiles at his son, nods to you and then leaves the children's cambers again. His Lords are already waiting for him.
In the evening you come to his chambers, standing uncertainly in his room. Cregan was not expecting you anymore, he has already changed for the night. He offers you a mug of warm beer and a place by the fireplace. As you sit down your cloak slips and the white of your nightgown flashes through. Cregan has to concentrate not to let his gaze wander.
"What brings you to me so late, my wife?" he asks curiously, sitting next to you at the fire.
"I'm sorry." you don´t look him in the eyes.
Cregan has to blink a few times, doesn't understand what you mean. But you don't say anything else, avoid his gaze so that he has to ask. "What are you sorry about?"
"I didn't mean to upset you." your hands play with the fabric of your cloak.
"You didn't upset me, wife. What makes you think that?" he asks, confused. Did he behave differently? Did he speak in a too harsh tone with you?
"Today with Rickon. It upset you that I played with him. I'm sorry, I didn't mean to. I have no intention of replacing his mother, your late wife."
Cregan has to suppress a laugh. How wrong you are. "It didn't upset me, sweet wife." his voice is soft and you finally look him in the eyes. Your eyes are wide, surprised, your lips open slightly. Cregan wants to lean forward and kiss you, but he doesn't. "I'm glad that you're spending time with Rickon. Maybe you can be a mother figure to him someday." he expresses his wish hesitantly.
"I intend to love him as if he were mine." you say, a smile creeping onto your lips. Cregan is brave and reaches for your warm hand, stroking the back of your hand with his thumb. You don't pull away and continue speaking. "But he shouldn't forget his mother."
"Don't worry about this, Lady Selina, Lady Darcy and Lady Alys will keep the memory alive."
"The Nursemaids. What does that mean?" you tilt your head slightly, examining him closely. The soft light of the fire catches in your hair and makes your skin glow warmly. Gods you are beautiful. Cregan has to swallow before he can answer.
"They were my late wife's friends, her Ladies. After Arra died, I asked them to stay in the household to look after Rickon." remembering how overwhelmed Cregan suddenly was by everything, and how much the loss of his first wife hurt him, he needs a moment to ground himself before he can continue speaking. "If that bothers you, then of course I can dismiss them and send them away from Winterfell."
He knows that this loss will hurt Rickon, he has been surrounded by the three Ladies his whole life, Selina was Arra's best friend. However he would do it for you, he wants you to feel comfortable and Rickon would get over the loss of his nannies, he is a Starkman after all, one day he will be as tough as winter. He has to be.
"No. No, please don't send them away." you squeeze his hand a little. "It is important that her friends are here. They need to tell him what his mother was like. I mean his real mother. My mother also died when I was young. I hardly remember her and I have nobody how can told me something about her." you suddenly sound sad. Cregan is surprised by your words. Additional to the Ladies, he regularly speaks to Rickon about his mother, takes him to her grave, tells stories, has a portrait of her hung in Rickon's room.
"Your father doesn't talk about her?"
You sigh, a narrow smile on your lips. You look into the flames again before speaking quietly. "No, never." you bite your lower lip and then whisper. "I was told he killed her." Cregan doesn't doubt for a second that it is true. He squeezes your hand gently. You look at him again, a sad smile on your lips. "It hurts when you don't know your mother. It's like half of yourself is missing. And my other half is a monster. I'm glad Rickon is learning about his mother and that his father isn't a monster."
A lump forms in Cregan's throat, he doesn't know what to say. Your words touch him, but at the same time make him angry at your father and he feels sorry for you. Your life doesn't seem to have been particularly bright.
"I'm sorry you had to go through that."
"Thank you. But I don't need your pity." for the first time, Cregan feels like he sees the dragon blood in your eyes. "My stepmothers both treated me as if I were their own blood. I didn't grow up without love."
"I didn't mean to offend you."
"You didn't." your gentle smile is back on your lips. "So I can take care of Rickon?" you avoid his gaze again, your cheeks are slightly red.
"Of course. I'm glad you're getting along well."
"He's great. A good boy." you smile and then get up elegantly from your chair. "I'm retiring now. Good night husband."
"Good night sweet wife." he sinks into a slight curtsy before leaving his chambers. Cregan takes a deep breath and leans back in his chair. He's happy that you want to take care of Rickon. That you want to be a part of his family. This is something he wanted for this marriage, that you can be a family.
Cregans efforts take fruits. He has the feeling that you are slowly thawing and starting to trust him.
A light summer snow falls down and gets caught in the fur of your hood. Cregan has take you for a ride through the Wolfswood today. Cregan is surprised how well you can hold yourself in the saddle. In the next moment, he doubts his sanity. You are riding a dragon. Such a horse is of course easy for you. You look around with wide eyes and a gentle smile on your face. Cregan can't help but stare at you, captivated by your beauty.
"I missed that at Dragonstone." you say, looking over to him. Cregan flinches slightly, doesn't quite understand what you mean.
"Forests?" he guesses. He has no idea about Dragonstone's vegetation.
"No. To see something new. Dragonstone is an island, if you live there long enough, you've seen everything." you shrug your shoulders.
Cregan has to chuckle slightly. "You have a dragon, sweet Wife. You could have seen the whole world."
"I would never have left my family." you say firmly. Are you angry?
"I didn't mean to offend you." he tries to circle back. He is always a bit unsure when he talks to you. He wants you to feel comfortable, that you are doing well, and he wants you to like him. Maybe someday you will love him. He finds it hard to be patient. If he is honest with himself, you had him from the very first moment. Your beauty overwhelmed him, your kindness and gentleness captivated him, and your smile. Gods, your smile makes his heart beat faster.
He knows that he loves you. Even if he can't tell you. Not yet. He is afraid of scaring you. So he holds back. He tries to give you space so you can get used to your new role, your new home, and him.
He would love to scream his feelings for you from the wall so that the whole world hears it.
But it is not the right time for that yet.
A soft smile is on your lips again. "You didn´t husband."
He is relieved and returns your smile. "Do you want to go back? It's a little cold today."
"I'm not cold. I'm from the blodd of the Dragon. The cold doesn't bother me. It´s almost like I belong in the north." in the next moment your eyes widen and you look down. A blush spreads across your cheeks and Cregan has to swallow, his heart skips a beat.
"You are Lady Stark. You belong to Winterfell now." he says, trying to take away your insecurity. You don't look at him again, but he sees a smile on your lips. Maybe you'll even belong to him someday. He hopes so.
Back in Winterfell, you let him help you off your horse. His hands stay on your hips for a moment too long, but you don't seem to mind. You look up at him, your cheeks turn slightly red but you manage to hold his gaze. Cregan drowns into your beautiful, violet eyes. He leans forward slightly, wanting to feel your lips on his even if it's only for a moment. You don't back away.
"Papa." Rickon's voice echoes across the courtyard. Cregan and you flinch apart. He lets go of you and turns to his son. Anger flares up in him briefly at the disturbance, but when his boy jumps into his arms with a broad laugh, it immediately disappears.
"Rickon! Don't be so wild." Lady Darcy comes running out of the castle after him. Cregan notices you shifting your weight from one foot to the other next to him, out of the corner of his eye he sees you turning to your horse. A strange feeling spreads through him. At that moment Lady Darcy comes to him, opens her arms to take Rickon. "My Lord Stark, welcome back," she greets him and curtsies slightly.
"Papa, can I visit the dragon? Darcy says it's too dangerous alone, but you're back now," his son calls excitedly. Cregan's stomach tighten, he keeps himself as far away from Silverwing as possible. He is not comfortable with the monster. Even if there have been no problems so far, your dragon only hunts prey, stays away from people and the farmers' livestock. She usually flies further north, you told him that she has a cave there.
"I think that's a bad idea." Dracy interjects. "The monster is unpredictable, far too dangerous."
Cregan thinks for a moment, of course the nursemaid is right, Silverwing is dangerous. But you know your dragon better. You will certainly be able to judge whether your dragon poses a danger to Rickon or not. He turns to you to ask if it's okay for you to go visit your dragon with him and Rickon, but you are no longer standing next to your horse. His gaze searches the yard, but there is no trace of you. You sneaked away quietly and secretly. Cregan's eyebrows furrow.
"Papa, please, please. I promise I won't pet the dragon either. Just a quick look."
"My lady wife must go with you, Rickon. But she seems to have other things to do today. Another time."
Rickon's lower lip trembles slightly, but he knows better and doesn't burst into tears. The heir of Winterfell doesn't cry over such little things as a denied wish.
"What important things Lady Stark must have to do." Cregan is surprised by Dracy's bitter tone, but he pushes the thought away; perhaps he simply misunderstood her.
The Maester warned him that summer could soon be over. It has been summer for four years now. That means more work for Cregan as Warden of the North and Lord of Winterfell, he has to make sure that his people survive this winter, at least most of them. Winter demands his victims, every damn time. Cregan can only keep the losses as small as possible. So he sinks into paperwork and negotiations with the Lords of the North. Nobody wants to share supplies, everyone is afraid that there won't be enough for themselves. Cregan's tasks is it to find compromises. He would much rather spend his time with you, he longs for you, for your gentle smile, your kind words, the time you have spend together. He wonders if you miss him too?
He only ever gets brief glimpses of you, when you meet in the hallway you give him a smile, when he makes it to the hall for dinner you are usually already sitting there with Rickon, greet him friendly and assure him that you are happy to see him.
Cregan is on his way to a meeting with the carpenter. The houses in Winter Town need to be made winterproof and the villagers need his help. As he walks across the gallery that spans one of the courtyards of Winterfell, your laughter pulls him out of his stride. He stops immediately and turns his head towards the noise.
You and Rickon run across the courtyard, playing catch. His little boy jumps back and forth in front of you, laughing loudly. You let him win, pretending you have trouble catching him.
Lady Selina steps beside him. Her lips are drawn into a thin line.
"My Lord." she slightly bows her head before him and Cregan smiles faintly, he finds it hard to take his eyes off you and Rickon.
"What can I do for you?" he asks and hopes that it's nothing urgent. He's considering canceling the meeting and taking you and Rickon to the Goodswood instead, where you can spend time together as a family without being disturbed.
"I am worried, My Lord." now she has his full attention. His shoulders tense up.
"What happened?" Unrest among the lords, a fight? The servants usually know this things before he does.
Selina gives him a smile. "Nothing happen, My Lord."
He breathes a sigh of relief. "What troubles you then?" Cregan tries not to sound as annoyed as he is. Selina knows that he has a lot to do at the moment. Neverless for the sake of the love he had for his first wife, he always tries to be friendly, even though Selina can often be irritating. Sometimes she takes herself more important than she is, behaves like the Lady of Winterfell, and Cregan has had to remind her of her position more than once.
"It's your new wife, My Lord." she starts, her smile is friendly, doesn't really fit her tone. At the mention of you his heart beats faster, he just has to think of you and he feels like a little boy with a crush. Seeing you makes him float on cloud nine. Cregan turns back to the side and looks down at you again. The broad smile on his lips is unusual for the young Lord.
"We can be glad that she is here with us." his voice is gentle. He has to clear his throat and straightens his shoulders. He quickly slips back into his role as Lord Stark, not the lovesick idiot.
"Can we?" the sharp tone makes Cregans skin crawl. He furrows his eyebrows, turns around. Lady Selina does not flinch from his gaze, but straightens her shoulders. She is a northern woman, intimidation does not work on her. She is like him, hard as winter, unyielding as the wind.
"Is there something you wish to tell me, Lady Selina?"
"No, my Lord. It's just that I… we think that a southern girl might be too weak for the important task of being Lady of Winterfell." she chooses her words carefully, smiling. "I´m only thinking about Rickon and his upbringing. I want the best for him, you know that."
The mention of his son causes his anger at Lady Selina to evaporate. Of course she is only thinking of his son, she wants the best for him. Loves him like her own child.
"My wife is a princess, a Targaryen. She does her job well. Or have you heard something else?"
"No, of course not." Lady Selina lowers her head slightly, no longer looking at Cregan. "I'm just worried about Rickon."
"I really appreciate your concern and care for my son. But your doubts are unfounded. Now if you would excuse me."
"Of course, my Lord." She clenches her jaw and sinks into a curtsy. Cregan walks past her to finally meet the carpenter, he is already too late.
Negotiations with the lords are going badly, Cregan is buried in work and doesn't know what to do. The sun has long set but sleep does not come to him. Instead he sits by the fireplace in his chambers, the taste of beer on his lips and stares into the flames. He sighs. He needs help. Could you give him some advice? That would kill two birds with one stone, he could finally spend some time with you again and maybe find a solution. Without thinking twice he calls for his servant and sends for you.
It doesn't take long before you enter his chambers. You look around uncertainly, you have thrown a cloak over your nightgown, your long blonde hair falls loosely over your shoulders. You are sight for sore eyes.
"My Lord husband," you whisper, curtsying deeper than usual. You slowly take a few steps into the room and stop in the middle. You tremble slightly, your breathing is faster than usual and your hands fumble with the hem of your nightgown. "You ordered me into your bed." your voice trembles as you take a step towards his bed.
Cregans heart sinks, he is on his feet in a heartbeat. You flinch. "My sweet wife, no. I told you I would never do that." he says quickly. It was stupid of him, of course you would think he was ordering you into the marital bed.
"Oh I just thought. Because some time has passed since our wedding night. I thought you might be impatient."
"No. I just wanted to discuss something with you. Please sit down next to me." he points to the chair in front of the fireplace. The fire gives off pleasant heat, sweat forms on Cregan's forehead. However, you are shaking slightly. Cregan reaches for his cloak and puts it around your shoulders before sitting down himself again.
You smile. "Thank you husband." you whisper.
"I'm sorry about the misunderstanding. I just thought you might be able to offer me some advice."
You smile again and Cregan is happy about it. "I don't know if my advice is really useful."
He has to suppress a snort at your modesty. You handle your duties as Lady Stark flawlessly.
"I'm sure it is. And besides that, well." he interrupts himself, noticing the blush rising in his cheeks. "I've hardly had any time for you in the last few days. I'm sorry about that too. I wanted to spend time with you."
Your smile widens. "I've missed the time with you too." you whisper and Cregan's heart starts racing. You missed him. You shift back and forth, making yourself comfortable. "How can I help?"
He starts to describe the problems to you, the stubbornness of his lords, the lying about their supplies even though he knows full well that they have more than they admit. The arguments among themselves.
"Can't you force them to give up some of their stock?" you ask after listening carefully.
This time Cregan snorts, leans back a little in his chair. "And how am I supposed to do that?" Inciting Bannerman against Bannerman would only make things worse.
"Silverwing could help."
"No!" his tone is sharp, his voice too loud for the pleasant atmosphere. You flinch in shock, look at him with wide eyes before avoiding his gaze again.
You swallow. "I'm sorry. It was just an idea. My father always uses Caraxes to get his way." you whisper. Cregan leans forward, reaches for your hand. His heart stops while he waits to see if you pull your hand away. You don't, his fingers carefully wrap around yours.
"Using your Dragon would fulfill the purpose, but I don't want to intimidate my men with her. I don't want to rule with fire and blood."
You nod. "I understand. It was stupid of me."
"No." he shakes his head and gently strokes the back of your hand. "I just hope for a peaceful solution."
You straighten up a little. "Then let's look for a peaceful solution." You both start to brainstorm, but your conversation quickly drifts off. You talk about your childhood in Pentos, your days on Dragonstone and your siblings. Cregan manages to open up about his uncle, how he had to fight for his inheritance and for his rule.
It's good to be able to tell you all this, to have someone to confide in. Only when you yawn after every word and Cregan has trouble opening his eyes again after blinking do you decide to end the evening.
"I'm going back to my chambers then." you say and pull his cloak off your shoulders.
"I'll call a guard for you."
"No, please don't wake anyone up. I'll find the way myself," you say, but your look is uncertain. Cregan also has a bad feeling about letting you walk through half of Winterfell at night.
"Then I'll accompany you."
"Please, husband, don't make yourself so much trouble because of me. You're exhausted yourself and it's an unnecessary journey for you." you object.
Cregan looks at his bed, it's big enough for both of you. Arra has also spent most of her nights here.
"You could sleep here?" he suggests quietly. Your eyes dart to the bed and then to him. You swallow. "Not to fulfill your marital duties, just to sleep." Cregan quickly clarifies.
"What will people think?"
He has to suppress a laugh. "You're my wife, my lady. The people won't think anything."
Your cheeks turn slightly red again. "Right." you think for a moment and then pull your own cloak from your shoulders. Cregan has to look into the flames so that his gaze doesn't get stuck on the curves of your cleavage and he stares like an iron born. Only after you get comfortably under the furs and blankets of the bed he slips off his own clothes and lies down next to you, keeping a safe distance.
"Sleep well, sweet wife."
"Sleep well, husband."
When Cregan wakes up the next morning, you've already disappeared, but your side of the bed is still warm. He turns to the side, buries his face in your pillow and inhales your scent deeply. Cregan knows that you prefer to fly with Silverwing in the morning, so he doesn't worry.
He's tired, but he still throws himself into work.When he returns to his chambers late that evening, you are already sitting in the chair by the fireplace. You turn to him, your cheeks red, but you look him in the eyes. Your hands shake slightly as you hand him a cup of wine.
"I got it from Pentos. I told you about it yesterday." He nods. He's still surprised that you're sitting here, he can hardly believe it. Warmth flows through him and he can't wipe the smile from his lips. He slowly takes your wine and sits down opposite you. "We didn't find a solution to our problem with the Lords yesterday." if you plan to come to him in the evening until you've found a solution, he wish there wasn't one.
Three evenings later you are sleeping in his bed again, two weeks later you snuggle up in his arms before you go to sleep and in the morning you kiss his cheek before you set off to see your dragon. Cregan can hardly believe his luck. You open up a little more every day, now you reach for his hand yourself, brush strands of hair from his face, kiss his cheek, lean into his embrace.
But suddenly you start to close yourself off again. It started with you not waiting for him in his chambers one evening, you send a servant to excuse you for that night. He thought you might be sick. But you don't come the next day either, he doesn't see you all day. In the morning he sees Silverwing flying over Winterfell towards the south, the sun is already hanging low on the horizon in the evening when the dragon lands again in front of the castle gates. Cregan feels like you're slipping away from him again. His heart aches at the thought. Did he do something wrong? Was he rude to you without realizing it? Was the longed-for closeness you built up just in his head?
Neverless Cregan was able, or rather you were able, to settle the arguments between the Lords a little. From your place at the high table, you reminded them in a gentel voice that everyone only wanted the best for the North and how wonderful it is that the Northern Lords were fighting the winter together. A little lie that you told, a smile and even Lord Bolton's tense features softened. It's a step in the right direction.
You hardly give him a smile anymore. Cregan doesn't know what's wrong. He is frustrated and sad. In his mind he goes through every moment, looking to see if he has done something wrong. He doesn´t find an answer.
His steps lead him through the corridors of Winterfell, he wants to go to Rickon. Because of all the work and his spiraling thoughts about you, he hasn't visited his son much in the last few days.
He hears laughter from the nursery, recognizes Lady Selina and Lady Aly's voices. Without knocking, he opens the door. The two ladies flinch at their place in front of the fireplace, the conversation falls silent. They both jump up, curtsy briefly and greet him with a "My Lord Stark." Both Ladys exchange a nervous look, Creggan's stomach tightens. He has the feeling that something is wrong but he doesn´t know what it is.
"Papa." Rickon jumps up from the carpet, his toy dragon falls to the floor and he runs to him. Cregan bends down to his son and takes him in his arms.
"Leave us alone," he dismisses the ladies. He wants to spend a little time with his son, show him that he is important to him despite all the stress. Rickon should never think that his father doesn't love him. Alys and Selina leave the nursery. Cregan puts Rickon down again and sits down on the floor next to him. Rickon immediately has his toy figures in his hand again.
"Are you coming to play?" he asks and holds out the dragon figure to him, big eyes sparkle at him and a radiant smile is on his lips.
"Yes." Cregan answers and takes the dragon, it looks small in his hand.
"That's my favorite toy."
"Not the knight anymore?" Cregan laughs quietly.
"No, no." says Rickon in a serious voice, as if it were the most important thing in the world. "The dragon. It was a gift from my princess."
Now Cregan can't hold back his laughter. "Your princess?"
"Yes." Rickon nods.
"You mean my wife, my dear. You really like her a lot, don't you?"
"Yes, I like her a lot." suddenly his eyes turn sad and he rips the toy out of his father's hand, pressing it to his chest. Cregan frowns, wants to scold Rickon, but he is already speaking again. "But she doesn't like me anymore." his voice trembles. Cregan has to swallow at the sight, puts a hand on his son's shoulder.
"Why do you think that? She likes you a lot."
"But why doesn't she play with me anymore? She hardly ever comes to visit me. Only when the teacher is there. She doesn't want to play with me at all, she just wants to supervise my lessons." he sounds defiant, as only children can, and Cregan has to sigh. He doesn´t have a answer for his son.
Why are you behaving like this? You wanted to take care of him and you enjoyed it. You often told him how much you enjoyed spending time with his son, what a good boy he is. That you love him like he is your son. Cregan has a bad feeling. He knows that something is wrong, even if he can't quite put his finger on it.
The door opens and you step uncertainly into the room, your gaze wanders around the room and then stops at Cregan and Rickon. A radiant smile appears on your face.
"My Lord husband." you say and nod slightly. Cregan is glad that you have finally stopped curtsying to him. "I didn't know you were here." Is he imagining it or do you sound relieved? Cregan doesn't know how to react to you now. Lately you have been acting absent and distant, shy like at the beginning. At other times you grab his hand, lean on his arm or smile at him with sparkling eyes when he speaks. He can't figure you out. "Can I sit with you?" you whisper, tearing him out of his thoughts. He nods and you sink down onto the carpet next to him and Rickon. His son immediately demands your attention, happy that you want to spend time with him.
It takes a few moments, but then Cregan lets himself be lulled by the warm, happy atmosphere. In these moments he completely forgets the thought of you withdrawing from him again. The time with his family is good for him, that is exactly what he always wanted. A happy family, safe behind the walls of Winterfell.
However his little bubble of family happiness bursts just a few hours later when Lady Darcy enters.
"My Lord Stark." she curtsies to him. "I'm here to pick up Rickon for his bath."
"No, I don't want to!" Rickon calls out. A single stern look from Cregan is enough to silence him. He stands up and takes a few steps towards Darcy. "Can my princess take me to my bath?" he asks quietly. Darcy rolls his eyes, looks at you, just like Cregan. You look at Dracy and then shake your head.
"Go with Lady Darcy." you say quietly, is your voice shaking? Rickon doesn't contradict and follows the nursemaid out of the room. Cregan turns to you with a smile, maybe you two can finally spend a little time toghether again, but you don't meet his gaze. When he reaches for your hand, you pull it away and jump up.
"Excuse me." your voice is quiet and you storm out of the room. Were those tears in your eyes? Cregan shakes his head, no, that can't be. The light was probably just reflected. He sighs and tries to fight down his anger and hurt because of your rejection.
He paces back and forth in his chambers. You haven't shown up for your evening meeting again. What's keeping you away? He just has to talk to you, he wants to find out what is bothering you. Did he make a mistake? Worry spreads through him and he sets off to look for you. His steps quickly lead him up the many stairs to Lady Stark's chambers.
Your chambers lie deserted before him. Cregans heart sinks. Where are you? It's almost midnight. You should be here. Did something happen to you? He is looking around your chambers. The chambers of Lady Stark are traditionally located at the top of the North Tower. They are the warmest chambers in the castle. Perfect for a dragon like you. Sweat beads on Cregan's forehead, yet he searches the chambers for a clue.
He feels guilty about looking at your private things, but he has no choice. Maybe you are in danger. Nothing seems unusual. To be honest, he can't be sure, he is hardly ever in your chambers. It is your private area, but it seems as if you only have a few things here. That surprises Cregan a little.
He goes to your desk, it is covered with papers, scrolls and letters. He knows that you write a lot to your family, and that you receive a letter from at least one of your family members almost every week. Only your father doesn't write to you, you told him that.
His gaze flicks over the first line of the letter you had started.
Mother, please. It's so terrible here.
He reads the first words and his heart aches painfully. Is it his fault? Do you hate him?
My husband Cregan is everything I could wish for, kind, tender, and warm; he has such a big heart. I love him. But the problem are the maids of the late Lady Stak. I wrote to you that it doesn't seem like they like me. But now it's getting worse.
I tried to take care of Rickon. Just like you always took care of Baela, Rhena, and me. He is such a sweet boy. But the Ladies are so terribly mean. I know they were Lady Norrey's friends, but I don't understand how they can be so horrible. What did I do wrong? I don't understand how I could have upset them so much that they hate me.
They say terrible things to me, I don't want to repeat them. Even bad things about our family. The insults hurt so much. The worst thing is when they laugh at me. I feel so stupid when they do that.
I don't want Rickon to find out about this, so I stay away from him. It breaks my heart. I'm afraid to talk to Cregan. I don't want them to lose their last connection to Lady Arra.
Please, I can't take it anymore. I want to go home. Please let me come home.
On the pages, there are small dark spots where your tears have dripped onto the paper and smudged the ink.
Why didn't you tell him anything? Guilt overcomes him. He should have known, he should have noticed something.
Hot anger towards the Ladies rises within him. He would love to have them all executed.
A growl catches his attention. With two steps, he is at the window. The full moon illuminates the night outside, the snow reflects the light. He sees a slender figure walking across the fields outside the Keep. Silverswing's massive body rises from the snow as you run towards your dragon.
Cregan whirls around and sprints down the stairs. Fear and worry burn in his heart. He pushes the door outward a little too hard. The wood creaks as it slams against the stone walls. Every breath burns in his lungs as he inhales the cold air. Nevertheless, his steps do not slow down.
Silverwing whirls her head around before you notice him. At the sudden movement, you slip and one of the bags you were just about to attach to the saddle falls from your hand. A few of your clothes fall into the snow. Cregan realizes that you really were about to run away. Run away from him. His heart hurts by this thought. The next moment he remembers himself that you are not running away because of him.
He calls your name. You whirl around, your look like a startled deer.
"Cregan." you whisper. He recognizes tears in your eyes, tear stains on your cheeks, your eyes are slightly red
"What are you doing?" he asks, while he tries to catch his breath. Cregan tries to let his voice sound as soft as possible, you already look like you will faint for fear every moment.
"I wanted to visit Silverwing," you lie, your hands cramps around the leather of the saddle. Silverwing lets out a growl. Cregan needs all his strength not to jump back in fright.
"Please come down." he almost begs, he stands much too close to the dragon for his liking. Silverwing is very gentle. You once told him that. Nevertheless, the hundred-year-old monster can swallow him in one gulp.
You hesitate. "Go back inside," you say then, but you don't look at him.
"No." his voice is firm now. "Either you come down voluntarily or I'll come up and get you." it's not a bluff, if he has to he'll climb on that dragon to get you down. Even if Silverwing will probably tear him into pieces before he even gets close to you.
Silverwing stretches out her wing, the claws on her forefoot digging into the snow just a few steps in front of him. Is that a threat? You look at your dragon, then swing to the side and slide down the wing. Without thinking, Cregan moves closer and catches you. You wrap your arms around him and he pulls you closer to him. Warm tears drip onto the skin at the crook of his neck. You sob, take a breath and try to say something, but only another desperate sound comes from your throat.
"I found your letter to the Queen." he admits. You tense up, wanting to pull away from him, but Cregan holds you tight. "Why didn't you say anything?"
"I didn't want you to be angry."
Oh he is angry, but not at you. He would love to cut off the ladies' heads, but women are not executed in the North. The North is still a place of honor.
Now he lets go of you, pushes away slightly to look you in the face. He carefully wipes the tears from your cheek. You lean into his touch, sighs quietly and closes your eyes. Cregan leans forward and kisses your forehead.
"What did they say to you?" he then whispers.
You swallow, open your eyes before you start to speak. "At first it was just little taunts. But over time it got worse and worse. They said I would ruin the North, that many people would die next winter because of my stupidity." the tears come back to you eyes and you have to sob. Cregan pulls you into his arms again, strokes your hair as you bury your face in his chest.
"Those are lies. You did nothing wrong. On the contrary, you are a great Lady Stark."
"But that wasn't even the worst part. They also said that I am not good enough for you. That you only put up with me because you were forced to marry me. They said that you will never love me and that there is only room in your heart for Lady Arra, that she is your first and only love and I am just an intruder."
Cregan's heart breaks, he knows that you took the Nursemaids at their word. Again he pushes you away, carefully puts his hand under your chin and forces you to look at him.
"Those are lies too. Yes, I loved Arra. But that doesn't mean that I can't love you. You are not an intruder. I want you here with me."
Tears well up in your eyes again. "What about the Ladies?" you ask quietly, but keep eye contact.
"I will throw all three of them out first thing tomorrow morning. Let the Others get them, I don't care. Maybe Silverwing wants a little snack."
The dragon lowers its head to you, looks at Cregan as if she agrees.
"Rickon needs them."
"No. Rickon only needs me and you, his family." Cregan insists. His son will cope with the loss, he is sure of that.
"I would like to be your family."
Cregan has to smile at your words. "I love you, sweet wife." he whispers. Your lips open slightly as you look at him in surprise. Then you stand on your tiptoes and kiss him gently. His heart almost burst, butterflies explode in his stomach and despite the cold night he feels warm.
You sink back on your feet, your cheeks are red, but you smile. Silverwing blows hot air from her nostrils towards Cregan, he flinches back and you giggle.
"That means she likes you."
"And what about you? Do you like me too?" he asks, his lips twisting into a grin.
"I thought you read my letter to Rhaenyra." you say, also grinning."
Please say it anyway."
"I love you, my sweet husband." Cregan leans down and seals your lips with a kiss.
#cregan stark x you#cregan x reader#cregan stark x reader#cregan stark#house of the dragon fanfic#house of the dragon fic#cregan stark fanfic#house stark#hotd fic#cregan stark fanfiction#cregan stark imagine#cregan stark request#house of the dragon#hotd
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i've been itching to share my swap au since i thought it up, but i think i now finally have an actual baseline to introduce it with!!
the idea isn't that it's a personality swap, but a role swap, with wander and sylvia as antagonists and hater and peepers as the protags, and i have a whole lot to say about it so im gonna go ahead and infodump below the cut
so i've renamed these two, at least, since hater's story has become less about getting over himself and more about how he sees the world Now That He's Gotten Over Himself. i'm calling him The Great (and absent) Lord Lackadaisical right now, but i don't think that's what he'd like to be called, since he's an absent ruler who doesn't really care to be in a position of so much power and would rather fuck off to all the planets with really nice hot tubs. he and Sir Peepers (his loyal knight who cannot be convinced to leave his side) travel the galaxy with hater's sweet ride (i'm not too good at designing motorcycles yet. pending).
i haven't thought of new names/titles for wander and sylvia just yet (i cannot just call him Sitter Over Therer) but i do know what their deal is, and it's the main reason i made this au (i feel like if wander were a villain he would not in fact be a villain like lord hater or dominator because i think that kinda disregards wander's whole Shit, he'd be like screwball, and even then he'd have very strong convictions that he's doing the right thing): wander has a cult (a hivemind, kinda) and sylvia is his priest.
i think wander comes along this mushroom during a time in his life when everything seems to have been torn asunder, and instead of continuing his adventures and learning and growing as a person, the mushroom offers a solution that doesn't require much effort on his behalf. the mushroom links people together borg-style, makes them share a brain and a purpose. wander not only thinks it's super neat, but he's in such a poor state of mind when he finds it, he convinces himself it's the only way to make the galaxy a better place.
sylvia is the only person in his Ring of Friends who isn't hooked up to the mushroom, because she's actually wander's friend, and she's his ride or die. she does the things she does out of free will and dedication to her best friend, including preaching and fisticuffs.
^^^ here's some more of my initial concept art. originally the mushroom was gonna be a tree, but i had a vision of an upside down mushroom (or several, to take the place of watchdogs) scuttling around and by god is it easy to make that look like his hat.
the thing that really really pushes wander over the edge is the sheer boredom of it all. when he's connected to the mushroom, he's very little more than the brain they all share. he can't move around, and that KILLS him (see: the hole lotta nuthin). so when hater (name pending) comes along and refuses to join him and annoys him enough, he gets suuuuper stoked about having something to really DO for once.
anyway. this is what i've got for now. do you like it. you can be honest if you dont like it
#myart#wander over yonder#wander#lord hater#commander peepers#sylvia the zbornak#lord lackadaisical#sir peepers#uhhhhhhhhh. whatever i end up tagging swap wander and sylvia as#txt#swap au#swap wander#sister sylvia
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I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).
However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.
She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.
And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?
Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.
So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.
If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.
Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:
It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.
Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:
Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.
And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:
That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.
It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone
So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.
Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.
But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.
And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.
Izutsumi...
is a foil to Falin.
Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.
Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.
And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.
In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.
She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.
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chemical override (2)
Ewan Mitchell x actress!reader
a/n : aaand I just couldn't let this storyline go. Typical. Best to read part one before this one :)
series masterlist ▪︎ main masterlist
The reader and Ewan have gotten a lot closer since the press tour for season two, but neither one has made a move. The reader is spotted with another costar, giving rise to rumours of romance.
The press tour came and went like a fever dream. From Paris to New York to London, everyone had been highly anticipating your upcoming show.
Albeit you had a minor role, it all seemed like everything you could ever wish for.
A blossoming career. Lifelong friends made from your peers. The overwhelming support from audiences.
Only two episodes have since been released to the public, and already your character has become a fan-favourite.
Sadly, you and Ewan only had that one press day together, after which you were paired with other cast members. That didn't stop the onslaught of comments under your interviews with him, fans stating how good you looked together. Speculating whether there was something going on between you two.
You are good friends, but that's all.
He calls you often, mostly in the evenings after you're both finished with work. He sticks close to you during premiere after-parties. Now and again, you would catch him looking at you from across the room.
But... well... that's all there is to that.
Maybe he's just being nice. Maybe he only sees you as a good friend, and this is just how he is. With his effortless charm and cheeky remarks that can be mistaken as flirting, you think that maybe you're reading too much into it all.
"Ewan likes you, you know," Phia looks at you over her shoulder, as she does her makeup in front of your dresser.
The cast is having a private get-together in Fabien's apartment for a night, and yourself and Phia decide to prep together, her own place only being five minutes away from yours.
"He's just being nice," you shake your head at her observation, as you sift through your closet looking for a top.
"He's not that nice to everyone," Phia laughs. "Trust me, that lad fancies you and it's plain as day. Ask anyone, I mean, Tom even pointed it out the other day."
"And Ewan was there with you guys?"
"Uh-huh," Phia swivels her chair around, all done, nodding at you, "Poor sod just about turned red as a beet."
"What did he say?" you ask, not even bothering to hide your curiosity. Phia's got your back, after all.
"Well..." Phia glanced away, weighing just how much she is at liberty to say. Ewan's her friend just as much as you are, and she doesn't know how deep she can meddle in this.
"How bad is it?"
"Nothing bad, promise," Phia walks over, then takes over the task of sorting through your closet, "He likes you. A lot. But it seems like he's apprehensive about jumping into a relationship right now."
You plop down on your bed in a huff, "I guess that makes sense."
"Chin up, darling," Phia turns around, arms folded behind her, concealing her chosen top for you. "You're both rising stars, with great careers ahead of you. If you're going to commit to each other, you're gonna have to do it right."
You smile, because you can't help it, the high from landing your dream career not yet subsiding.
"And," Phia continues, "even if he's too chicken to make a move, that doesn't mean you can't torture him with this." She grins, presenting a green satin top, the material weightless and shimmering.
"This? Are you sure?" It was definitely revealing, and it would have your back exposed, only tied together by two strings.
"Ewan loves green," she hands it to you, and you hold it up with concern etched in your features.
"I guess I could wear this," you mumble.
"Oh, you will wear it," Phia smirks, pushing you over to your bathroom so you can get changed.
Already wearing your trusty pair of bootcut jeans, you shimmy into the slinky top, calling out to Phia so she can assist with securing the strings at your back.
"You look absolutely gorgeous," she beams at you in your bathroom mirror. "Ewan is going to melt at the sight of you, doll."
"Huh," you say, checking yourself out in the reflection. "Okay then, I think we're ready - "
Your phone rings, cutting you off. Phia beats you to it, and her face is scandalous when she raises your phone up like it's precious evidence.
Ewan's name flashes bright on the screen.
"Oh, look who it is!" Phia practically sings, "Lover boy."
"Give me that," you demand, reaching for your phone, but Phia quickly sidesteps you and presses the screen to answer the call.
You gasp, and the both of you struggle to keep down an incoming fit of giggles. Phia then clicks on the speaker mode, and Ewan can be heard saying your name, his tone a bit confused.
"Are you there?" Ewan asks.
"Yeah, I'm here," you take the phone, waving to Phia so she doesn't make a fuss.
"Hmm," he says. "I hope I'll be seeing you tonight. The party won't be as good without you."
"Well, Phia and I just finished getting ready," you glance at her, and she makes a kissy face at you.
"Hello, Mr. Whipped," she playfully cuts in with this greeting, effectively letting Ewan know he's on speaker.
You hear Ewan snort on the other end, before he says, "Hello to you too, Phi."
"We should be heading out in 15 minutes, and we'll be there on time," you let him know.
"Okay, I suppose I'll see you guys there," he replies.
"Okay." A beat of silence passes, and Phia just shrugs at you.
"I, uh - " he finally speaks up again, but hesitates.
"Yeah?"
He clears his throat, having decided on saying, "Nevermind. See you soon, darling."
The line cuts off. You slowly let your hand fall to the side, sighing at how it abruptly ended. Shaking off your worries, you look at Phia once more, and she already has her line all prepared. "See you soon, darling," she recites in a low voice, imitating Ewan.
"Oh, shush," you shove her playfully, and she shoves you right back.
"I can't wait to see you, darling," she continues teasing you, laughing, and you can't help but blush and smile, finding her endearing.
"Well, let's go," she says, picking up her things, "your darling boy of Derby awaits."
▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎
Fabien greets you at the door with that perfect smile of his, arms outstretched to pull you and Phia into a hug.
"Welcome, welcome," he greets, leading you into his apartment, where most of the cast is already assembled, including Ewan.
You happily exchange pleasantries with everyone. Chatting with Emma and Olivia. Profusely thanking Matt when he gushes over your outfit. Catching up with Harry and Bethany. All the while sensing that Ewan watches you from somewhere in the room.
You're eventually directed by Tom to the corner table where Ewan and Phia share a loveseat, drinks in hand.
"I'll get you a drink," Tom kindly declares, heading to the kitchen.
"Thanks, Tom," you say. You sit next to Phia, leaving her between yourself and Ewan. You finally say to him, "Hey, you. How are you doing? Got here early?"
Ewan's jaw clenches and loosens, and you catch his eyes quickly drift down to rake over your figure. When he meets your eyes again, his pupils are considerably dilated.
The boy just shamelessly checked you out.
"Ewan," you hear Phia say, elbowing Ewan from beside him. "She just asked you a question, be polite." She wags her eyebrows at you, mouthing the words lover boy.
Ewan hears that, astute as he is, and it snaps him out of whatever haze he seemed to be stuck in.
He shakes his head at himself, offering a smile to you. "I got here just before you guys," he answers. His voice lowers when he adds, "You look really good, darling."
You smile in return. "Thanks. So do you."
Phia beams at the exchange, then makes some excuse of having to catch up with the others. The look she gives you before sliding off the seat reveals that she just wanted to give her two lovebirds some privacy.
"So," Ewan inches closer to you, his arm outstretched on the back of the seat, "how did the script turn out?"
"It was better than expected," you say. He refers to a script you told him about a week ago, for a potential project which will shoot in Atlanta in the fall. "I'm supposed to meet with the director pretty soon to discuss it further, but I think it might be the right fit."
"That's amazing," he expresses sincerely. "Rian Johnson's a brilliant director and they would be lucky to have you as their lead."
"Thanks, Ewan! Yeah, I'm really excited for it, it's a lot different from House of the Dragon, but I'm all in for the challenge, you know."
"Is it a drama film, or thriller, or - "
"Oh, it's a rom-com, actually."
"Oh," he nods, leaning back a little, like that needed a bit of processing. "And you'll have a romantic co-lead..."
"That's right, and - " you confirm.
He smirks, like he just thought of something amusing. "Well, maybe I could - "
But you finish your statement then, " - I think Jacob Elordi has just been selected as my partner in the film."
His face scrunches in apparent distaste, "Has he now?"
"Mhmm." You note the switches in his expression, how his face fell when you mentioned your upcoming co-star. He can't have something against Jacob; they already did a film together and it seemed like it went well on set.
That thing nags at you, that little spring of vanity and desire creating warmth in your stomach. That Ewan might be jealous.
Which is ridiculous, given your shared line of work. Besides, you were not together. What could he possibly be jealous over?
"You've worked with him, right? What's he like?" you continue the topic, keeping watch for the minutiae of his reactions.
"He's... he's a good actor, I guess. Dedicated and all that. Pleasant on set." His answer is curt, not giving away any details, tone flat like he's disinterested.
"Riiight," you nod slowly, smiling impishly at him to get him to lighten up, "I'm sure he'll be just as pleasant on our set then. Good to know."
He catches the look you're giving him, causing the corner of his lips to pull in a soft crooked smile. "Hmm, be that as it may... I think I'll do a much better job as your love interest, don't you?"
"Oh, will you now?" you lean forward, and he does the same.
"Yeah, didn't you hear?" he whispers conspiratorially, like there's a secret to be shared. "According to the internet, we have a lot of chemistry. Practically oozing with it, based on some comments I read."
"You've been lurking on comments? You? The last crusader against all social media?" you joke, fully knowing that he keeps a few shadow accounts just to keep up with how his work is being received by the public.
"Sure," he shrugs his shouders dramatically, " that, and also to stalk your page, of course."
"Oh, of course," you quip, "I wouldn't expect anything less."
You share another laugh, feeling light all over, and even lighter when his fingertips brush against your arm for a few seconds. Goosebumps erupt on your skin, and you sneakily rub your arms to cover the effect he had on you.
Tom reappears from the side, handing you a drink as promised, "What are you kids giggling about over here?"
"Nothing," you share, "just that Ewan is planning to join Instagram."
"A damn miracle, that!" Tom exclaims, lightly punching Ewan in the shoulder.
"Yeah, yeah," Ewan looks at you warmly, playing along, "you can be in charge of keeping my account running."
"Tough job. All those fan messages I'll have to answer."
"Yeah, you'll have to quit your day job," Tom adds jokingly. "It was fun while it lasted. The industry will miss you."
You feel a pressure by your shoulders, and notice that it's Ewan's arm snug behind you on the seat. In the midst of conversation, he must have drawn even closer. You glance down briefly and see his knees touching yours.
You nervously take a huge gulp of your drink. There is no hiding the effect he has on you now.
"Don't you two look cute?" Tom comments, then he stands right in front of the loveseat and puts his phone up. Before you can say anything, a clicking sound makes it clear that he has taken a photo of you and Ewan.
"Awww, I ship it," Tom gushes afterward as he looks at the photo. He then reaches over and passes his phone to you.
The image betrays what the both of you are probably struggling to hide - it's there, clear as day. The attraction, the tension, the chemistry. Ewan practically has his arm around you, looking at you intensely with the inscrutable spark in his eyes. His teeth lightly clamping down on his lip in desire.
There's a subtle scrunch between your eyebrows as you return Ewan's look, a result of trying to maintain composure when he is so close. But your posture is relaxed, almost cozying right up against him, showing just how comfortable you feel around him.
As Tom just said, you ship it.
If only.
▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎
Two weeks after the party at Fabien's, the main cast members of House of the Dragon are engaged in an additional round of promo work. Season two is at its peak, and the media is just clamoring to get more from the cast.
Some are booked for photoshoots, others for interviews.
While a minor character in the show, they also wanted you to take part in engaging with the press, but you are already busy with your upcoming film with Jacob. You're currently out in LA, doing rehearsals in preparation for the actual shoot.
Ewan is yet again lounging in a hotel suite, about to do an interview with Vanity Fair.
He sends you a text, in response to your complaint about a difficult scene.
You had shared, It's a pretty dramatic scene. What if I can't cry on command?
He easily texts back, You can do it, darling. Trust me, you're one of the most talented young actors I know.
- Thanks, Ewan. Good luck with your interview!
- Thank you, good luck with rehearsal. I miss --
Ewan pauses typing. I miss you, he aches to send. He does miss you so much. Why can't he just commit to it?
He ends up sending, I'll see you soon, in its place.
He knows he wants to do everything with you. Take you out on dates. Sweep you off your feet. Travel to wherever you will be filming just to see you. Confess how much he wants you.
Why can't he? It's terrifying to him, being with someone, in danger of falling in love - truly falling in love - with a fellow actor, and that relationship exposed to much public scrutiny.
He's always been a private person, so will he be able to handle all of that? Acting is his first love, and he's devoted to the craft. If he succumbs to his desire for you, will that cause him to go off track?
What if the relationship is not well-received? He is aware of how passionate fans can be. What if they cruelly decide to make you the object of their ire as a result? He can't possibly put you through that.
But... but fuck it.
The Aemond in him turns proud and defiant. Why can't he? Why shouldn't he?
He types another message in a second, then clicks send.
And I miss you.
His publicist walks over to him, giving him a few last-minute instructions. In a few minutes, the room is all composed and the interview is ready to begin.
The line of questioning has almost become routine-like for him, a far cry from when he first started giving shorter interviews for previous projects.
The answers flow from him smoothly, stemming from his care for Aemond and the show.
Near the end of the interview, he is asked about the remaining normalcy of his life. Surely it has all changed ever since he landed the show?
"Well, I try to go back to my hometown as much as possible. Just, you know, spending time where I grew up really helps maintain a sense of normal, for me," he responds. "It keeps my feet planted on the ground, that is, when I'm not on dragonback flying high up in the clouds."
The interviewer promptly laughs at his last remark, then asks, "What's next for you? Your fans are just eagerly awaiting your next project. Maybe a film like your new costar? Everyone is excited for her film with Jacob Elordi."
Ewan can't hide the way he perks up at the mention of you, never mind how Jacob is included too. "Ah, yes, well there are some things down the line for me. More than anything, I want to choose a project that I am passionate about, with a story and a character that is rich and complex. Whichever that is, I guess you'll find out soon!"
"Yes, yes, we will!"
"And about her project, I mean, I'm just so proud of her. We've become really close and I think she's a fantastic actress and person. She's going to smash it in this film, that's for sure."
The interviewer nods enthusiastically, smirking as he adds, "Apparently a bit of romance on the cards for her as well!"
"You mean in the movie?" Ewan replies, half-smiling in confusion. But he spies his publicist gesturing to the interviewer from behind the camera, a signal that private affairs are off-limits.
After a final question, the interview wraps up.
His publicist grumbles to him afterward, as they prepare to leave the room. "It was clear that no private questions are allowed. Sorry about that, Ewan."
"It's alright, that was... well, what was he on about? Did he mean romance between the two of us?"
"I believe he's talking about Jacob and her. They were spotted out in LA today. The interviewer probably just wanted you to spill some dirt on your costar."
Ewan frowns, "What do mean they were spotted?"
His publicist appears surprised at his question, and his obvious interest. "They've been papped walking arm in arm in LA. Seemed pretty close, not that it's any of that interviewer's business."
As they walk out of the hotel, Ewan can't help but do an immediate Google search of your name, and sure enough, the headlines about your walk with Jacob are abound.
He can't pinpoint how he feels as he sees the photos, the statuesque Jacob with his arm around you as you beam up at him. He notices that his grip on his phone has tightened, so he turns it off quickly and shoves it in his pocket.
Whatever this is, and how it makes him feel, he doesn't like it. He doesn't like it one bit.
His phone vibrates from his pocket, but he ignores it.
So he doesn't yet see your reply.
I miss you too.
💌 next chapter
Ewaaaan! Make a move, my guy!
As much as we'd like to see them make declarations of love or get into the passion quick, I wanted to make it as realistic as possible. How would two young actors begin dating? Reader, kudos to you for keeping it cool as a cucumber thus far - it's up to Ewan to make the big move.
Part three may be the last. What'll they be? Just friends? PR relationship? Notorious fling? Or new celebrity power couple?
MASSIVE thanks for all the lovely feedback for part one! 💙
Update: if you wish to be tagged in part three, let me know in the comments 💌
#ewan mitchell x reader#ewan mitchell#ewan mitchell imagine#aemond targaryen#house of the dragon#hotd#chemical override#aemond targaryen x reader
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Thoughts on Sonic 3!
On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.
Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.
I, too, have now seen this movie, and... yeah, it's pretty good.
I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.
If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.
On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.
And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.
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Shadow and his reams of lore
Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.
Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.
For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.
Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.
Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.
The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.
And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.
And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.
So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...
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Tails and Knuckles
I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.
I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!
Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.
As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?
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Miscellaneous humans
For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.
On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.
Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)
You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.
I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.
The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.
But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.
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The Robotniks
I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.
Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?
Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.
I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.
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Sonic
I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.
I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.
And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.
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The climax
God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.
Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.
And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)
... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.
Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.
And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.
It hasn't quite run out of steam yet, though...
The post-credits scenes, and the future
One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?
Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!
Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.
But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.
(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)
Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?
It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.
Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.
The kids are gonna be okay.
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please please please write a part two to adrenaline, i bet Spencer would be so worried about cold!reader in the hospital
OXYTOCIN — SPENCER REID!
you wake up in the hospital after the explosion, and spencer hasn’t left your side.
spencer reid x cold!reader | 2.0k | h/c? | cold!reader masterlist.
part one. | main masterlist.
a/n — singing sabrina carpenter in my head whilst reading this request
When you wake, it feels like you’ve been hit by a truck, repeatedly. The sterile scent of antiseptic and faint hum of machines confirms your location before your eyes even open. A hospital. Great. Just great.
You groan, blinking against the harsh fluorescent lights overhead. Everything hurts. Your thigh feels like it's been through a meat grinder, and even breathing feels like a chore.
“You’re awake,” a voice says from your side, a mixture of relief and exhaustion colouring the words.
You turn your head—too quickly, judging by the sharp sting in your neck—and find Spencer sitting in a chair near your bed. His hair is a mess, his clothes wrinkled, and his face is pale. There’s a small bandage on his temple and soot still clinging to the creases of his shirt, like he hasn’t left since the explosion.
“What... what are you doing here?” Your voice is raspy, dry. You try to clear your throat, grimacing as the action sends a dull ache through your chest.
“I...” He shifts, looking momentarily sheepish. “I didn’t want to leave until you woke up.”
You narrow your eyes, trying to ignore the way your stomach flips at his words. “You should be resting. You were barely conscious when we got out of there.”
His brows knit together in concern. “You were bleeding out when we got out of there.”
You don’t have a good retort to that. Instead, you glance down at yourself, noting the IV in your arm and the thick bandages wrapped around your thigh. A hospital gown replaces your smoke-stained clothes, and your boots—well, they’re long gone.
“God,” you mutter, leaning your head back against the pillow. “I hate hospitals.”
Spencer lets out a soft chuckle, though it’s tinged with guilt. “I know. You need one though,”
You scoff. “Yeah, yeah, whatever,”
The faintest smile tugs at his lips, but it doesn’t reach his eyes. He shifts in his chair, his hands wringing together in his lap. There’s a heaviness about him now, a weight he seems unable to shake.
“What’s wrong with you?” you ask bluntly, unable to help yourself. “You look like someone ran over your cat.”
He winces at your choice of words, his fingers tightening around each other as he leans forward, his elbows braced on his knees. “I didn’t notice,” he says quietly.
“Notice what?”
He meets your gaze, his eyes glassy with guilt. “The injury. Your leg. I didn’t notice it when we were trying to get out. You were helping me the whole time, and I didn’t even see that you were hurt.”
You frown, watching as he rubs a hand over his face, frustration etched into every line of his features.
“It was chaos,” he continues, his voice trembling. “And I relied on you—again—to keep us alive, and I didn’t even—” He breaks off, inhaling sharply as if to steady himself. “I should’ve seen it. I should’ve done something. Instead, you almost—”
“Reid. Shut up.” The words come out harsher than you intend, and his mouth snaps shut. You sit up a little straighter, ignoring the stab of pain that radiates from your thigh. “You’re spiraling, and it’s annoying.”
“Annoying?” His voice is incredulous, his brows knitting together.
“Yes,” you say firmly. “Because none of this is your fault. Do you hear me? None of it. Not the explosion, not my injury, nothing.”
His jaw tightens, but he doesn’t interrupt.
“You couldn’t have known about my leg. Hell, I didn’t even know about my leg until I was half-unconscious on the ground. And as for relying on me—” You pause, exhaling sharply. “That’s what we do. We rely on each other. It’s how we survive. You’d have done the same for me if the roles were reversed.”
“But—”
“No buts.” Your voice softens, though your tone remains firm. “You’re not a superhero, Reid. None of us are. We make do with what we’ve got, and we did. We’re here. We made it out. That’s what matters.”
He stares at you for a long moment, his expression unreadable. Finally, he looks away, his gaze dropping to the floor. “I just— I hate that you got hurt because of me.”
You let out a dry laugh, shaking your head. “Don’t flatter yourself. It wasn’t because of you. It was because some lunatic decided to blow up a building while we were inside it.”
That earns a faint smile from him, though it’s fleeting. He rubs the back of his neck, his posture still tense. “I guess I just... I don’t know. I keep replaying it in my head, thinking of all the things I could’ve done differently.”
“Join the club,” you mutter. “But fuck that, it’s over now,”
He nods slowly, though the guilt doesn’t fully leave his face. You watch him for a moment, the vulnerability in his expression tugging at something deep inside you.
“You’re too hard on yourself, you know that?” you say softly.
He glances up at you, his brow furrowing. “What do you mean?”
“I mean you carry the weight of the world on your shoulders like it’s your job,” you reply. “You don’t have to, Reid. Not with us. Not with me.”
Something in his gaze shifts at your words, a flicker of emotion you can’t quite place. He sits back in his chair, his hands resting in his lap as he looks at you.
“I don’t know what I’d do without you,” he says quietly, the honesty in his voice catching you off guard.
You don’t know how to respond to that. For once, the words escape you. Instead, you reach out, your pinky finger brushing against his. It’s a small gesture, but it’s enough. He looks down at your hand, his lips curving into a faint smile.
For a moment, the two of you sit in comfortable silence, the weight of the day easing just slightly. And despite the sterile surroundings and the ache in your body, you feel... okay.
And then the door opens. And you regret even thinking such an absurd thought.
“Hey hey hey, look who’s awake, how you feeling?” Derek Morgan strides into the room with a grin that’s entirely too bright for the situation. Behind him, Emily and JJ trail in, their expressions a mix of relief and exhaustion.
“Oh, fantastic,” you say dryly, pulling your hands back to drag them down your face. “The circus is here.”
Morgan chuckles, unbothered by your sarcasm, and sets a small bouquet of slightly wilted daisies on the bedside table. “We were starting to think you’d sleep forever. Reid here hasn’t left your side, you know.” He gives Spencer a pointed look, one eyebrow raised. “We had to practically threaten him just to get his head stitched up.”
Spencer shifts uncomfortably in his chair, mumbling, “I was fine.”
“No, you weren’t,” Emily chimes in, her tone matter-of-fact as she crosses her arms. “You were one sneeze away from collapsing yourself. But of course, you’d rather run yourself into the ground than listen to medical advice.”
“Runs in the family,” Morgan quips, throwing you a knowing glance.
You roll your eyes, already regretting being conscious for this conversation. “I don’t need a play-by-play of Reid’s stubbornness, thanks. I’ve lived it.”
“That’s true,” JJ says with a small smile. “You’re the only one as bad as he is when it comes to ignoring injuries.”
You open your mouth to respond—probably something sarcastic—but Emily beats you to it, her voice softer now. “We were worried about you,” she says. “Both of you.”
The words catch you off guard. You glance at Spencer, who looks down at his hands, avoiding the weight of Emily’s gaze. Your own throat tightens, and for once, you’re at a loss for something snarky to say.
“I’m fine,” you manage eventually, though you’re not entirely sure if it’s for their benefit or your own. “Just... ready to get out of here.”
“That’s not happening anytime soon,” JJ says gently. “The doctors want to keep you overnight, at least,”
You groan, leaning back against the pillow. “Of course they do.”
“Could be worse,” Morgan says with a smirk. “At least you’ve got Reid here playing nursemaid,”
“Don’t tempt me to throw something at you,” you mutter, glaring halfheartedly at him.
Spencer clears his throat, his cheeks tinged pink as he stands. “I should, uh, give you guys some time. I’ll grab coffee or something,”
“You’ve had six cups already,” JJ points out.
“Then I’ll grab water,” he counters, already heading for the door. He pauses just long enough to glance back at you. “I’ll be back.”
“You don’t have to hover, Reid,” you call after him, but he’s already gone.
The room feels quieter without him, though not exactly peaceful—not with the three pairs of eyes now fixed on you.
“Okay,” Morgan says, clapping his hands together. “Let’s hear it. What’s going on between you two?”
Your stomach drops. “Excuse me?”
“You heard me,” he says, grinning like a cat who’s cornered a mouse. “You and the boy wonder. Something’s different,”
“I don’t know what you’re talking about.” You fold your arms across your chest.
“Sure you don’t,” Emily says, her voice dripping with sarcasm. “Because it’s completely normal for you to nearly break down a wall looking for him and then collapse from blood loss without saying a word about it,”
You glare at her, though the heat in your face betrays you. “That was the adrenaline. And the smoke. It messes with people.”
Morgan raises an eyebrow. “Right. So the way you two were holding hands when we walked in—definitely adrenaline?”
“We weren’t—” You groan exasperatedly, and then grimace the pain it causes your throat. “I was comforting him. He’s got a guilt complex and I don’t want to deal with that for the next however long if he insists on staying.”
“Sure, sweet stuff,” Morgan smiles. “Maybe I should start calling you a puddle with how fast you melt around Boy Wonder,”
“Don’t you all have something better to do?” you snap, wishing desperately for an escape hatch.
“Not really,” JJ says with a sly smile. “Unless you count pestering you as ‘better’,”
You groan, dragging a hand over your face. “There’s nothing going on. Drop it.”
“Fine,” Morgan says, though the mischievous glint in his eyes tells you he’s anything but convinced. “But if you change your mind, let us know. We’ve got bets going,”
“You what?”
But before you can unleash your full indignation, the door opens again, and Spencer steps back in, a bottle of water in his hand. He looks between you and the team, his brow furrowing slightly. “Did I miss something?”
“Nothing important,” you say quickly, shooting a warning glare at the others.
Morgan grins but says nothing, and for once, you’re grateful. Spencer hands you the water, his expression softening. “How are you feeling now?”
“Tired,” you admit, taking the bottle. “And ready to get out of here.”
“I’ll talk to the doctors,” he offers. “See if they can expedite things,”
The warmth in his voice makes your chest tighten, and you look away, focusing on twisting the cap off the bottle.
The team watches the exchange with barely concealed amusement, but thankfully, they choose to keep their commentary to themselves. For now.
#cold!reader ᝰ.ᐟ#spencer reid x reader#spencer reid#criminal minds#criminal minds x reader#mgg#spencer reid fluff#criminal minds fluff#spencer reid angst#criminal minds angst
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Being in the same Theater club as Gojo Satoru had its up and downs.
On the one hand you could see him every day - he was tall, had these beautiful eyes and his white hair was always in the right places. He was unbelievable dreamy, or maybe you were just a bit dramatic. But you were in the Drama Club, so who cares?
Yeah, it was obvious. You had a high school crush.
Normally you would celebrate because of the slight chance to even glance at him. But not here, not in the Drama Club. You had always dreamed of playing in the theater, had always wanted to be part of a play. An important part. Like Juliet.
Because on the other hand with Satoru here there was a problem. He had raised his hand to be Romeo.
And you knew you would screw up. Playing as Juliet with Satoru as your Romeo? God, as if that could work. You were a stuttering mess as you auditioned, wanting to die inside because of the way he looked at you. So intense. And then he was so close, whispering into your ear.
"It's alright. You're doing great."
Which only made you mess up more.
It was humiliating. Being told to get off the stage and that even in front of Satoru Gojo. Yeah, your Theater Club dream was going down the drain. Because of course you would be only Extra #3 in the play.
You knew with Satoru here you just couldn't act like you wanted. And that was really bad for this club. Naturally Satoru would be every main character in the future, he was Satoru. You had to work with what was given you.
Even if it was Extra #3.
So after the auditions were finished and the real Juliet was found, you just packed your things. Today wasn't your practice, since... Well, they were just getting into their roles.
Standing up and going to the door, you really didn't expect someone to call after you. Especially not him.
"Hey! Wait for a second!"
Satoru Gojo was running up to you as you held the door in your hand. Satoru. Gojo.
"What is it?" you were a bit too quiet as you liked, but at least you weren't stuttering anymore. Satoru stopped in front of you, breathing a bit heavier but still composed. He smiled and god it was so pretty. It was just so gorgeous how his eyes sparkled and... Thank god you didn't have to be Juliet!
"Where are you going? We are starting to practice our lines!" he tilted his head and a small - nervous? - laugh escaped him.
"Oh, I..." you cleared your throat. Wait, didn't you do that already? Or not?
"I have no lines, Gojo."
He looked at you so confused it was somehow endearing. He blinked a couple of times, his smile becoming a bit more smaller. "What do you mean?"
"I'm just an Extra."
He blinked again, now a big frown overtaking his features. And as he spoke again his voice was even a bit upset. "Really? But you were so good! No, that can't be right, should I talk to the teacher?"
You couldn't help but laugh at his words. "You don't need to lie and do that I was really not that good. You know, stuttering and stuff."
He didn't laugh with you, but his mood seemed to light up a bit. His smile returning a bit smaller. "Doesn't everyone stutter from time to time?"
"Maybe. But someone shouldn't stutter while performing." you shook your head. "And you don't stutter."
He stays silent for a while and somehow it comes to a seemingly infinite minute where the two of you just look at each other. Into his blue eyes. His beautiful eyes.
"You know, I was wondering..." he was whispering again and suddenly he was just a breath away from you, just like back on the stage. "If you could maybe help me practice from time to time?"
You blinked at him. He looked down. "Because with you it seemed easier to be Romeo-"
"SATORU GOJO!!!"
You looked behind him, to see the annoyed face of your teacher. "Come to the practice. Immediately!"
He groaned, a small pout on his face. He put his hands into his pockets, while a sigh escaped him. You couldn't help but chuckle, he looked adorable.
"Well, I gotta go." he mumbled, but didn't make a move to turn around. Just a slight step to the side, a half hearted turn.
"Okay, good luck." you opened the door, a cheeky smile making it's way onto your face. "And of course I'll help you, Romeo."
Part 1
WIP Announcement
#jjk#jjk x reader#gojo x reader#gojo satoru#gojou satoru x reader#jjk satoru#jjk gojo#satoru gojo#gojo fluff#Romeo and Extra 3
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